Le miraculé devant l'ostensoir (4e planche) (The Miracle before the Blessed Sacrament) (fourth plate)
1912
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From the collection of National Gallery of Art
1912
ink
From the collection of National Gallery of Art
This sketch shows a crowded church scene with quick, sketchy lines. A man in a long robe kneels in prayer while another stands holding a tall, spiky object topped with a cross. Around them, people sit or stand, some looking down, others talking. The drawing feels rushed, like it was made fast. The artist used loose, uneven lines to show movement and emotion in a busy setting. This style makes the scene feel alive, even though it’s just a sketch. Next, check out etching to see how artists use acid and plates to create these kinds of prints.
