Who painted Portraif of a man – Mr. Zarewicz (?)?

Portraif of a man – Mr. Zarewicz (?) was painted by Franciszek Żmurko in 1890.

Where can I see Portraif of a man – Mr. Zarewicz (?)?

Portraif of a man – Mr. Zarewicz (?) is held by National Museum in Warsaw.

What movement is Portraif of a man – Mr. Zarewicz (?)?

Portraif of a man – Mr. Zarewicz (?) is associated with Realism.

Can I buy a print of Portraif of a man – Mr. Zarewicz (?)?

Museum-quality prints of Portraif of a man – Mr. Zarewicz (?) are available made-to-order from Artifact World Gallery.

Artwork

Portraif of a man – Mr. Zarewicz (?)

Franciszek Żmurko , 1890

Portraif of a man – Mr. Zarewicz (?) is an oil painting by the Realist artist Franciszek Żmurko. It dates from 1890 and is held in the collection of the National Museum in Warsaw.

About this work

Overview

Created in 1890 by Franciszek Żmurko, a Polish realist painter, Portrait of a man – Mr. Zarewicz (?) is an oil painting featuring a single male subject. Its attribution to Mr. Zarewicz remains tentative, indicated by the question mark. The work is part of the National Museum in Warsaw's collection.

Subject & Meaning

The painting depicts a man dressed in formal attire, a dark jacket with buttons and a white collar, set against a dark background that emphasizes his presence. His serious expression and direct gaze contribute to the overall formal and dignified atmosphere of the portrait.

Technique & Style

Żmurko employed chiaroscuro, a technique using strong contrasts between light and dark, to achieve depth and dimensionality in the portrait. This approach, characteristic of realist painting, highlights the subject's facial features and the texture of his clothing.

History & Provenance

Following his training in Kraków under Jan Matejko and in Munich, Żmurko settled in Warsaw in 1882. Portrait of a man – Mr. Zarewicz (?), created eight years later, reflects his established realist style during this period. The painting is now held in the National Museum in Warsaw.

Context

As a work of the realism movement, the painting aligns with Żmurko's training and the prevailing artistic trends of late 19th-century Europe, emphasizing accurate and detailed representation of the subject.