Who painted Peasant Woman with Basket, Seen from Behind?

Peasant Woman with Basket, Seen from Behind was painted by Israel Henriet in 1646.

Where can I see Peasant Woman with Basket, Seen from Behind?

Peasant Woman with Basket, Seen from Behind is held by National Gallery of Art.

What movement is Peasant Woman with Basket, Seen from Behind?

Peasant Woman with Basket, Seen from Behind is associated with Baroque.

Can I buy a print of Peasant Woman with Basket, Seen from Behind?

Museum-quality prints of Peasant Woman with Basket, Seen from Behind are available made-to-order from Artifact World Gallery.

Artwork

Peasant Woman with Basket, Seen from Behind

Israel Henriet , 1646

Peasant Woman with Basket, Seen from Behind is an ink print by the Baroque artist Israel Henriet. It dates from 1646 and is held in the collection of the National Gallery of Art.

About this work

Overview

Israel Henriet’s 1646 etching, titled Peasant Woman with Basket, Seen from Behind, presents a solitary figure rendered on laid paper. The work measures the modest scale typical of 17th‑century prints and captures a moment of everyday labor through its quiet composition.

Subject & Meaning

The composition shows a woman dressed in a plain, long gown and apron, a cap shading her head, and a basket slung over her left arm. Rendered from the rear, the figure’s modest attire and the utilitarian basket suggest a rural laborer, emphasizing the dignity of ordinary work without overt narrative embellishment.

Technique & Style

Henriet employed traditional etching methods, incising lines into a metal plate and transferring them onto laid paper. The visible cross‑hatching and delicate shading generate a subtle sense of texture, modeling the folds of fabric and the weight of the basket while maintaining a restrained tonal range characteristic of mid‑Baroque printmaking.

History & Provenance

Created in 1646, the print belongs to the period when Henriet was active in the Dutch Republic, a time when genre scenes of peasant life were popular among collectors. The work has survived in several impressions held by European print collections, though specific ownership records prior to the 19th century remain scarce.