Who painted Plate 5: A Hooded Falcon and Its Wild Counterpart?

Plate 5: A Hooded Falcon and Its Wild Counterpart was painted by Joris Hoefnagel in 1594.

Where can I see Plate 5: A Hooded Falcon and Its Wild Counterpart?

Plate 5: A Hooded Falcon and Its Wild Counterpart is held by National Gallery of Art.

What movement is Plate 5: A Hooded Falcon and Its Wild Counterpart?

Plate 5: A Hooded Falcon and Its Wild Counterpart is associated with Renaissance.

Can I buy a print of Plate 5: A Hooded Falcon and Its Wild Counterpart?

Museum-quality prints of Plate 5: A Hooded Falcon and Its Wild Counterpart are available made-to-order from Artifact World Gallery.

Artwork

Plate 5: A Hooded Falcon and Its Wild Counterpart

Joris Hoefnagel , 1594

Plate 5: A Hooded Falcon and Its Wild Counterpart is a gouache drawing by the Renaissance artist Joris Hoefnagel. It dates from 1594 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:Center right in (gold?): .V.; birds in image numbered .1., in red ink. Facing page: Upper center in red ink: Quis ante dedit mihi, ut reddam ei? O[m/n]ia quae / sub Coelo sunt, mea sunt. Job 41 (“Who has given me before that I should repay him? All things that are under heaven are mine.” Job 41:2) (Latin Vulgate Bible); lower center in black ink: Laudate dominum bestiae, et universa pecora, / serpentes, et volucres pennatae. ps.148. (“Praise the Lord, beasts and all cattle, serpents and feathered fowls.” Psalms 148:7 & 10) (Latin Vulgate Bible)

About this work

Overview

Plate 5: A Hooded Falcon and Its Wild Counterpart is a watercolor and gold paint drawing on parchment created by Joris Hoefnagel around 1594. The work showcases Hoefnagel's skill in natural history illustration and manuscript illumination.

Subject & Meaning

The drawing depicts two birds within a gold circle: a hooded falcon grasping a small mammal, possibly a rabbit, and a wild hawk perched calmly beside it. The contrast between the two birds highlights their differences, with the plain background emphasizing their forms.

Technique & Style

Hoefnagel employed watercolor and gold paint on parchment to achieve a precise and ornate effect. The use of watercolor allowed for delicate coloration, while the gold paint added a touch of luxury to the work.

Context

As a Flemish artist, Hoefnagel was part of a tradition that valued detailed studies of flora and fauna. His work reflects the blending of scientific observation and decorative artistry characteristic of late manuscript illumination.