Artwork
Round House, Veryan, Cornwall

Round House, Veryan, Cornwall is a watercolor work on paper by Barbara Jones. It dates from 1943 and is held in the collection of the Victoria and Albert Museum.
About this work
Overview
Barbara Jones’s watercolour portrays a modest, circular building in Veryan, Cornwall, topped by a steep conical roof and punctuated by a pointed‑arch doorway and a small, diamond‑pane window. The structure, rendered in stark white, sits amid tall grass, wild foliage and a winding dirt path, under a soft, pale sky that gives the scene a tranquil, rural atmosphere.
Subject & Meaning
The work captures a vernacular round house, a form associated with medieval and ecclesiastical architecture, emphasizing the simplicity and resilience of local building traditions. By isolating the building within its natural surroundings, the painting underscores the intimate relationship between architecture and landscape in Cornwall’s countryside.
Technique & Style
Jones employs a light, sketch‑like wash of watercolour, favoring muted greens, whites and earth tones. The brushwork is economical, defining the building’s geometry with clean lines while rendering the surrounding vegetation with delicate, almost tactile detail, creating a balance between structural clarity and atmospheric softness.
History & Provenance
Created in 1943, the piece is signed, dated and titled by the artist. It forms part of the Recording Britain project, a wartime effort commissioned by the Ministry of Labour and National Service to document at‑risk architectural and rural heritage across the United Kingdom.
Context
The Recording Britain scheme, directed by Sir Kenneth Clark, operated from 1940 to 1943 and produced over 1,500 works. Its purpose was to preserve visual records of sites vulnerable to wartime damage or post‑war modernization, reflecting a broader cultural concern for safeguarding national identity through visual documentation.
Artist & collection
Artist
Barbara Mildred Jones (25 December 1912 – 28 August 1978) was an English artist, writer and mural painter. She is known for curating the exhibition Black Eyes and Lemonade (1951) and her book The Unsophisticated Arts (1951).



















