Who painted Mirza Ibrahim Husain?

Mirza Ibrahim Husain was painted by Khem Karan in 1592.

Where can I see Mirza Ibrahim Husain?

Mirza Ibrahim Husain is held by Victoria and Albert Museum.

What movement is Mirza Ibrahim Husain?

Mirza Ibrahim Husain is associated with Mughal Painting.

Can I buy a print of Mirza Ibrahim Husain?

Museum-quality prints of Mirza Ibrahim Husain are available made-to-order from Artifact World Gallery.

Artwork

Mirza Ibrahim Husain

Khem Karan , 1592

Mirza Ibrahim Husain is a paint painting by the Mughal Painting artist Khem Karan. It dates from 1592 and is held in the collection of the Victoria and Albert Museum. This painting is the left half of a double-page illustration from the Akbarnama, the official chronicle of Mughal Emperor Akbar's reign.

About this work

Overview

This painting is the left half of a double-page illustration from the Akbarnama, the official chronicle of Mughal Emperor Akbar's reign. It depicts Mirza Ibrahim Husain, a descendant of Timur and a frequent rebel against Mughal rule, engaged in hunting.

Subject & Meaning

Mirza Ibrahim Husain, a nobleman of Timurid lineage, is shown hunting on horseback with a falcon, highlighting his aristocratic pursuits. His family's history of rebellion against the Mughals adds complexity to his portrayal in Akbar's chronicle.

Technique & Style

The painting blends Mughal traditions with European influences, characteristic of the period's artistic eclecticism. Executed by Khem Karan under the design of Tulsi Kalan, it features detailed landscapes and figures set against clouds and trees.

History & Provenance

Illustrated between 1592-1595 for Akbar, this was likely the first illustrated version of the Akbarnama. It remained in the Mughal imperial library through the reigns of Jahangir and Shah Jahan before being acquired by the V&A in 1896 from Frances Clarke.

Context

Commissioned by Akbar, the Akbarnama was written by Abu’l Fazl between 1590-1596. This illustration is part of a royal copy, evidenced by artist attributions in red ink, indicating its production for the emperor himself.

Legacy

As part of the earliest illustrated Akbarnama, this painting showcases the artistic pinnacle of the Mughal court, influencing subsequent manuscript illustrations with its blend of styles. It remains a significant artifact of Mughal cultural and political history.