Artwork

冨嶽三十六景 武州玉川|Fuji—The Tama River, Musashi Province, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

冨嶽三十六景 武州玉川|Fuji—The Tama River, Musashi Province, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), by Katsushika Hokusai, ink, 1831
冨嶽三十六景 武州玉川|Fuji—The Tama River, Musashi Province, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), by Katsushika Hokusai, ink, 1831

冨嶽三十六景 武州玉川|Fuji—The Tama River, Musashi Province, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) is an ink print by the Japonisme artist Katsushika Hokusai. It dates from 1831 and is held in the collection of the Metropolitan Museum of Art.

About this work

Overview

Created around 1831, this woodblock print belongs to Katsushika Hokusai’s celebrated series of thirty-six views of Mount Fuji. The image captures a tranquil stretch of the Tama River in Musashi Province, with the iconic silhouette of Fuji rising faintly behind a modest riverside scene. The work is part of the Metropolitan Museum of Art’s collection.

Subject & Meaning

The composition presents a peaceful riverine landscape: a small boat bearing two figures and cargo drifts near the centre, while a lone rider guides a horse along a winding path beside a thicket of dark trees. The distant mountain, softened by mist, serves as a quiet backdrop, emphasizing the everyday activities of travel and commerce along the river.

Technique & Style

Hokusai employs a restrained palette of soft blues and whites to render the mist‑shrouded peak and the still water. Fine line work, evident in the horse’s reins and the boat’s oars, adds texture and movement. The print’s delicate gradations are achieved through careful layering of ink and color, a hallmark of ukiyo‑e woodblock practice.

History & Provenance

The print was produced during the late Edo period, when Hokusai’s Fuji series enjoyed widespread popularity. It entered the collection of the Metropolitan Museum of Art in the early twentieth century, acquired through a donation that expanded the museum’s holdings of Japanese prints.

Context

Situated within the larger series, this view contrasts the monumental presence of Mount Fuji with ordinary river life, reflecting the Edo‑era fascination with integrating natural landmarks into daily experience. The Tama River, a vital transportation route, appears frequently in contemporary artworks, underscoring its economic and cultural significance.

冨嶽三十六景 武陽佃島|Tsukudajima in Musashi Province (Buyō Tsukudajima), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
冨嶽三十六景 武陽佃島|Tsukudajima in Musashi Province (Buyō Tsukudajima), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai

Artist & collection

Portrait of Katsushika Hokusai

Artist

Katsushika Hokusai

Katsushika Hokusai spent his life in Edo, now Tokyo, where he drew and carved prints for a living.

Frequently asked questions

Who painted 冨嶽三十六景 武州玉川|Fuji—The Tama River, Musashi Province, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)?

冨嶽三十六景 武州玉川|Fuji—The Tama River, Musashi Province, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) was painted by Katsushika Hokusai in 1831.

Where can I see 冨嶽三十六景 武州玉川|Fuji—The Tama River, Musashi Province, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)?

冨嶽三十六景 武州玉川|Fuji—The Tama River, Musashi Province, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) is held by Metropolitan Museum of Art.

What movement is 冨嶽三十六景 武州玉川|Fuji—The Tama River, Musashi Province, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)?

冨嶽三十六景 武州玉川|Fuji—The Tama River, Musashi Province, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) is associated with Japonisme.