The Gate (L'entree du champ)
1874
ink
From the collection of National Gallery of Art
1874
ink
From the collection of National Gallery of Art
This sketch shows a quiet, rolling landscape with a winding path cutting through fields. The lines are scratchy and uneven, like someone quickly tracing the shapes of grass, trees, and distant hills. The sky is just a faint, empty space at the top. The artist used a technique that leaves dark, rough marks—almost like scratching into the surface. This style makes the scene feel raw and real, not polished. If you like this kind of sketchy, textured look, check out etching.