The Ghat of Madhoray, Bénarès
Louis-Théophile Marie Rousselet
1866
From the collection of Cleveland Museum of Art
Louis-Théophile Marie Rousselet
1866
From the collection of Cleveland Museum of Art
The Ghat of Madhoray, Bénarès is a 1866 by Louis-Théophile Marie Rousselet, a Impressionism work, depicting Allahabad, held at Cleveland Museum of Art.
You see stone steps leading down to a river, crowded with people washing clothes, praying, or just sitting in the sun. The water is brown, the light is golden, and the buildings in the background look old and crumbly. Rousselet drew this scene while traveling in India, but he wasn’t happy with just sketches. He taught himself photography there, using the new tool to record the places he visited. The mix of drawing and early photography makes his work feel like a bridge between two ways of seeing. If you like this quiet, detailed style, look up *sfumato*—a soft-blending technique that creates a similar hazy glow.
Concerned that his drawings did not do justice to the splendor of India’s monuments, Rousselet learned photography in India that year, a remarkable accomplishment. He proved to be a talented photographer with a sophisticated sense of composition. The scenes in this volume sweep across sites of Sultanate, Rajput, and Mughal power in northern India, from the sacred Hindu city of Varanasi on the Ganges River to Alwar in Rajasthan. Also included are several scenes of industry and portraits of Indian rulers.
Louis Rousselet described himself as a “scientific traveler” when he went to India alone at age 18 in 1863 and stayed into 1868.
Read the full account in the museum source.
Louis-Théophile Marie Rousselet (1845–1929) was a French artist.
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