The Madonna with the Clock
1490
ink
paper
From the collection of National Gallery of Art
1490
ink
paper
From the collection of National Gallery of Art
The Madonna with the Clock is a 1490 ink by Israhel van Meckenem, a Renaissance work, held at National Gallery of Art.
This circular engraving depicts the Madonna and Child surrounded by two angels. The Madonna sits on a throne, holding the infant Jesus, who reaches out to touch a clock. An angel on the left holds a bell, while another on the right prays. The scene is framed by an ornate border with Latin text. The engraving features intricate cross-hatching, which creates a sense of depth and texture. The use of shading adds volume to the figures, making them appear more lifelike. This engraving is a fine example of Renaissance art, showcasing the artist's skill in capturing detail and emotion. To learn more about this style, explore the Renaissance movement.
Israhel van Meckenem (c. 1445 – 10 November 1503), also known as Israhel van Meckenem the Younger, was a German printmaker and goldsmith, perhaps of a Dutch family origin. He was the most prolific engraver of the…
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