Who painted Caricatures of Clerics and Priests?

Caricatures of Clerics and Priests was painted by Pier Francesco Mola in 1650.

Where can I see Caricatures of Clerics and Priests?

Caricatures of Clerics and Priests is held by National Gallery of Art.

What movement is Caricatures of Clerics and Priests?

Caricatures of Clerics and Priests is associated with Baroque.

Can I buy a print of Caricatures of Clerics and Priests?

Museum-quality prints of Caricatures of Clerics and Priests are available made-to-order from Artifact World Gallery.

Artwork

Caricatures of Clerics and Priests

Pier Francesco Mola , 1650

Caricatures of Clerics and Priests is an ink drawing by the Baroque artist Pier Francesco Mola. It dates from 1650 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:by artist?, lower right in pen and brown ink: Mola / amico; by unknown hand, along right edge in graphite: [Not deciphered]

About this work

Overview

Created circa 1650, this pen-and-brown‑ink drawing on laid paper is attributed to Pier Francesco Mola, a Roman painter of the High Baroque. The work consists of five quick sketches of men in clerical attire, rendered with a spontaneous hand that contrasts with the more formal compositions typical of the period.

Subject & Meaning

The figures are presented as caricatures of clergy, each exaggerated in proportion, some with oversized heads or distorted facial features, suggesting a satirical observation of religious officials. The central figure, taller and capped, anchors the grouping, while the surrounding sketches lean in, emphasizing a playful, critical tone toward ecclesiastical authority.

Technique & Style

Mola employs thin, repetitive cross‑hatching to model shadows and give the ink drawings a textured surface. The lines are loose and gestural, resembling doodles more than finished studies, and the overall approach reflects his naturalistic tendency and looser brushwork seen in his larger frescoes and small‑scale works.

History & Provenance

The drawing originates from Mola’s Roman period, when he was better known for frescoes and landscape compositions. Its survival on yellowed laid paper indicates an early collection or archival context, though specific ownership records before modern acquisition remain undocumented.