Artwork

Belshazzar's Feast

Belshazzar's Feast, by Jan Muller, ink, 1598
Belshazzar's Feast, by Jan Muller, ink, 1598

Belshazzar's Feast is an ink print by the Renaissance artist Jan Muller. It dates from 1598 and is held in the collection of the National Gallery of Art.

Inscription
Inscribed:lower left in plate: Joannes Muller: / fecit.; lower right in plate: Harman Muller / excudebat.; across bottom in plate: Cernite Chaldaei viuâ sub imagine Regis, / Horresco referens, diuini numinis iram. / Scilicèt hac decuit plecti ratione, superbâ, / Numine contempto, linguâ qui Idola crepabat. / Qui simili peccare modo praesumitis, isto / Discite ab exemplo, similis nè paena sequatur.; by later hand, lower left verso in graphite: 9117; by later hand, lower left verso in graphite: 46 + [5?]0; by later hand, left center verso in graphite: [U?} Dav[?]y

About this work

Overview

Belshazzar's Feast is an engraving on laid paper created by Jan Harmensz. Muller around 1598. The work depicts a pivotal biblical scene from the Book of Daniel, where the Babylonian king Belshazzar witnesses a divine hand writing on the wall during a grand feast.

Subject & Meaning

The engraving captures the moment of divine intervention in Belshazzar's feast, as the king and his attendees react to the ominous writing on the wall. The scene contrasts chaos with the focal, serene divine message, highlighting the biblical narrative's themes of power and prophecy.

Technique & Style

Muller employed fine lines to achieve deep shadows and textured details, lending drama to the crowded composition. His technique, influenced by family training in engraving and time spent in Italy, balances intricate rendering of the feast's opulence with the stark, attention-grabbing divine element.

History & Provenance

Created circa 1598, the engraving was produced during Muller's active period in both engraving and painting, following his inheritance of the family's printing and publishing business in Amsterdam.

Context

Belshazzar's Feast reflects Muller's dual influences: the technical precision of Dutch engraving traditions and the artistic sensibilities gained during his time in Italy, combining to interpret a well-known biblical subject.

The Prodigal Son:  The Feast in Honor of the Prodigal's Return
The Prodigal Son: The Feast in Honor of the Prodigal's Return, Abraham Bosse

Artist & collection

Portrait of Jan Muller

Artist

Jan Muller

Jan Harmensz. Muller (1571–1628) was a Dutch engraver and painter. Muller was born in Amsterdam. His father was a book printer, engraver and publisher. He learned the engraving trade while working in the family…

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.

Reviews

Frequently asked questions

Who painted Belshazzar's Feast?

Belshazzar's Feast was painted by Jan Muller in 1598.

Where can I see Belshazzar's Feast?

Belshazzar's Feast is held by National Gallery of Art.

What movement is Belshazzar's Feast?

Belshazzar's Feast is associated with Renaissance.

Can I buy a print of Belshazzar's Feast?

Museum-quality prints of Belshazzar's Feast are available made-to-order from Artifact World Gallery.