Who painted Christ Tells His Disciples of the Last Judgment?

Christ Tells His Disciples of the Last Judgment was painted by Christoph Murer in 1630.

Where can I see Christ Tells His Disciples of the Last Judgment?

Christ Tells His Disciples of the Last Judgment is held by National Gallery of Art.

What movement is Christ Tells His Disciples of the Last Judgment?

Christ Tells His Disciples of the Last Judgment is associated with Renaissance.

Can I buy a print of Christ Tells His Disciples of the Last Judgment?

Museum-quality prints of Christ Tells His Disciples of the Last Judgment are available made-to-order from Artifact World Gallery.

Artwork

Christ Tells His Disciples of the Last Judgment

Christoph Murer , 1630

Christ Tells His Disciples of the Last Judgment is an ink print by the Renaissance artist Christoph Murer. It dates from 1630 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:lower left in plate Stimmer-Murer monogram: STM (Nagler Mon. V, 324)

About this work

Overview

Christ Tells His Disciples of the Last Judgment is a 1630 woodcut by the German printmaker Christoph Murer. Executed on laid paper, the work presents a densely populated composition in which the central figure of Christ stands on an elevated platform, surrounded by a crowd of armored and robed figures who look upward in varied gestures.

Subject & Meaning

The image visualizes the moment when Christ informs his followers about the forthcoming final judgment. The surrounding assemblage of soldiers, clerics and laypeople underscores the universal scope of the eschatological warning, while a figure emerging from the ground suggests the lifting of souls toward divine reckoning.

Technique & Style

Murer employed the woodcut process, carving the design in relief and printing it in stark black ink on white laid paper. The contrast of crisp lines and deep shadows creates a dramatic chiaroscuro effect, and the dense packing of figures, each rendered with distinct poses, heightens the sense of urgency and movement within the limited monochrome palette.

History & Provenance

The print was produced in the early seventeenth century, a period when religious woodcuts served both devotional and didactic purposes. Though specific ownership records are scarce, the work is catalogued among Murer’s surviving prints and appears in several museum collections that specialize in early modern graphic art.