Artwork

Susanna and the Elders

Susanna and the Elders, by Peter Lely, oil, 1652
Susanna and the Elders, by Peter Lely, oil, 1652

Susanna and the Elders is an oil painting by the Flemish Baroque painting artist Peter Lely. It dates from 1652 and is held in the collection of the Tate Britain.

About this work

Overview

Peter Lely’s *Susanna and the Elders* (1652) is an oil painting that belongs to the collection of Tate Britain. Executed during Lely’s early period in England, the work interprets the biblical narrative of Susanna with a focus on chiaroscuro and a restrained colour palette.

Subject & Meaning

The composition centers on Susanna, shown in a white dress with a dark shawl over her left shoulder, standing before two older men in red robes. Their gazes are directed toward her, suggesting the moment of accusation described in the biblical story, while Susanna’s posture and expression convey discomfort and vulnerability.

Technique & Style

Lely employs strong contrasts of light and shadow, a hallmark of Flemish Baroque influence, to model the figures against a deep, almost black background. The dramatic lighting isolates the central figure, enhancing the tension between the characters and emphasizing the narrative’s emotional charge.

History & Provenance

Painted shortly after Lely’s arrival in England, the work reflects his transition from Dutch training to the English court’s tastes. It entered the Tate Britain collection in the 20th century, where it remains on view as part of the museum’s holdings of 17th‑century European painting.

Context

The biblical episode of Susanna was a popular subject for Baroque artists, allowing them to explore themes of virtue, voyeurism, and moral judgment. Lely’s rendition aligns with contemporary moralizing art while also showcasing his skill in portraiture, a genre that would later dominate his career at the English court.

Artist & collection

Portrait of Peter Lely

Artist

Peter Lely

Sir Peter Lely (Dutch: ; 14 September 1618 – 30 November 1680) was a painter of Dutch origin whose career was nearly all spent in England, where he became the dominant portrait painter to the court.

Tate Britain

Museum

Tate Britain

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This work is in the public domain (CC0). Image source: Tate Britain open access. Spotted an error in this record? Tell us.