Presumed portrait of Mademoiselle de Blois

Created in 1687, the oil-on-canvas portrait was executed by Pierre Mignard I. The work was formerly attributed to Constantin Netscher before its current identification. Historically, the painting entered the collection of Louis La Caze. It is now held by the Department of Paintings of the Louvre, where it is cataloged under inventory number MI 942.

The portrait is also associated with the Museum of the History of France and the Palace of Versailles, reflecting its status within the French national heritage collections.

The painting is held in the Department of Paintings at the Louvre Museum in Paris, where it bears the inventory number MI 942. While the work is part of the Louvre's collections, it is located at the Palace of Versailles within the Museum of the History of France. The piece was previously owned by Louis La Caze before entering the national collections.

Historical records indicate that the portrait was once attributed to Constantin Netscher, a designation noted by Demonts, before being correctly assigned to Pierre Mignard. No specific exhibition history is detailed in the available records.

Scholarship identifies the work as a late portrait by Pierre Mignard I painted in 1687 for the French court, reflecting the decorative elegance characteristic of late Louis XIV portraiture. The painting entered the royal collection through Louis La Caze and is now part of the Louvre's Paintings department, formerly displayed at Versailles. Contemporary accounts praised its refined handling of texture and color, while modern studies situate it within Mignard's broader oeuvre of aristocratic subjects and his role in shaping 17th-century French portrait conventions.

The presumed portrait of Mademoiselle de Blois, attributed to Pierre Mignard I and painted in 1687, has been reattributed from early associations with Constantin Netscher to Mignard’s oeuvre, influencing scholarly understanding of French Baroque portraiture. Its inclusion in the Louvre’s collection and designation within the Joconde database cemented its status as a key example of late 17th‑century French portraiture, shaping both academic discourse and public exhibition narratives.

Created in 1694, this oil painting is attributed to Pierre Mignard, the French artist often called “Mignard le Romain.” It portrays a young woman, traditionally identified as Mademoiselle de Blois, standing on a stone floor, clutching a small green sprig while a black‑and‑white dog gazes up at her. The work belongs to the collection of the Palace of Versailles.