Untitled

Untitled

Robert Murray

1965

ink

From the collection of Museum of Modern Art

About this work

This painting is just black shapes on a black background. There’s a tall, narrow rectangle on the left and a thick diagonal line cutting across the middle. The edges are clean, no blur or color. The whole thing looks simple but feels off. That diagonal line doesn’t match the rectangle’s shape—it’s like someone shifted the pieces after gluing them down. Want to see how artists make prints like this? Look up lithography.

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