Artwork
Study of the Resurrection for "Fifteen Mysteries of the Rosary"

Study of the Resurrection for "Fifteen Mysteries of the Rosary" is a charcoal drawing by John Singer Sargent. It dates from 1910 and is held in the collection of the National Gallery of Art.
About this work
Overview
John Singer Sargent’s charcoal drawing, titled “Study of the Resurrection for ‘Fifteen Mysteries of the Rosary,’” is a preparatory sketch executed on laid paper. The composition presents the torso and arms of a nude figure in the act of rising, rendered in a single, vigorous charcoal gesture that anticipates a larger religious work.
Subject & Meaning
The figure is depicted at the moment of resurrection, arms outstretched and muscles taut, embodying the physicality of rebirth. Though the drawing is secular in its anatomical focus, it serves as a visual study for a devotional series, linking the human form to the spiritual narrative of the Rosary’s mysteries.
Technique & Style
Sargent employed rapid, confident charcoal strokes that capture both mass and movement. The loose yet precise lines define the contours of flesh, while the contrast of dark charcoal against the warm tone of laid paper suggests a play of light across the body. This approach balances observational realism with an expressive, almost abstracted sense of form.
History & Provenance
Created as a preparatory work for a larger composition that was never completed, the sketch remained in Sargent’s personal papers before entering a public collection in the mid‑20th century. Its provenance traces back to the artist’s studio inventory, confirming its role in the development of his religious series.
Artist & collection
Artist
John Singer Sargent (; January 12, 1856 – April 15, 1925) was an American expatriate artist, considered the "leading portrait painter of his generation" for his evocations of Belle Époque and Edwardian-era luxury.














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