Who painted A Group of Monks and a Woman?

A Group of Monks and a Woman was painted by John Skippe in 1784.

Where can I see A Group of Monks and a Woman?

A Group of Monks and a Woman is held by National Gallery of Art.

What movement is A Group of Monks and a Woman?

A Group of Monks and a Woman is associated with Romanticism.

Can I buy a print of A Group of Monks and a Woman?

Museum-quality prints of A Group of Monks and a Woman are available made-to-order from Artifact World Gallery.

Artwork

A Group of Monks and a Woman

John Skippe , 1784

A Group of Monks and a Woman is an ink print by the Romanticist artist John Skippe. It dates from 1784 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:upper right plate: P:P: Rubens inv. / Joan: Skippe scul

About this work

Overview

John Skippe’s chiaroscuro woodcut, titled A Group of Monks and a Woman, dates from around 1784. Executed with four separate blocks inked in green, olive, gray‑brown and brown, the image is printed on laid paper and mounted on an album page. The work presents a compact assembly of figures rendered in a muted, earth‑toned palette.

Subject & Meaning

The composition depicts several monks in long robes gathered around a solitary woman cloaked in a hooded mantle. The monks’ expressions are solemn, while the woman’s face is less defined, inviting speculation about her role within the group. The contrast between the religious figures and the lone female figure suggests a narrative tension, though the print offers no explicit explanation.

Technique & Style

Skippe employed the chiaroscuro woodcut method, using multiple blocks to achieve tonal variation and depth. The four‑block system allows subtle gradations of color, creating a sense of volume against the flat background. The restrained palette and careful modeling reflect the late‑eighteenth‑century interest in atmospheric effects and emotional nuance.

History & Provenance

The print was produced in the 1780s, a period when English printmakers were experimenting with multi‑block color techniques. It survives as part of a bound album, indicating it was likely intended for private collection rather than public exhibition. The work is attributed to John Skippe, an English artist known for his work in the chiaroscuro tradition.

Context

During the late eighteenth century, the chiaroscuro woodcut experienced a revival in Britain, inspired by earlier Italian examples. Skippe’s print aligns with this trend, combining technical experimentation with a subject drawn from monastic life, a theme that resonated with contemporary interests in antiquity and moral narrative.