Sir James Pennethorne's office building (the 'junction') in 1863, after the erection behind it of the Residences
1863
watercolor
From the collection of Victoria and Albert Museum
1863
watercolor
From the collection of Victoria and Albert Museum
Dominant colour
Sir James Pennethorne's office building (the 'junction') in 1863, after the erection behind it of the Residences is a 1863 watercolor by Anthony Carey Stannus, a Impressionism work, held at Victoria and Albert Museum.
This watercolour from 1863 shows a busy spot at the Victoria and Albert Museum. It’s the ‘Junction’ building, designed by James Pennethorne. This small office block linked older and newer parts of the museum site. The building was already too small by 1860. The museum’s first director called the space “packed as close as pigs.” That tells you how tight things were back then. Look next at the Victoria and Albert Museum.
The watercolour depicts Pennethorne’s single-storey brick ‘Junction’ building, designed to connect the museum’s temporary structures, with a pitched roof, sash windows, and a centrally placed doorway flanked by a projecting wing featuring a round-headed niche and window. Behind it rises the Residences range, its upper storey marked by pilasters and paired rectangular windows. Large trees partially obscure the foreground of the composition. The work was painted by Anthony Carey Stannus in 1863.
Read the full account in the museum source.
Anthony Carey Stannus painted quiet watercolours of 19th-century buildings and streets.
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