Artwork
Madonna and Child Enthroned with Saint John the Baptist and Another Saint
Madonna and Child Enthroned with Saint John the Baptist and Another Saint is an unspecified painting. It dates from 1500 and is held in the collection of the Metropolitan Museum of Art. This painting depicts a sacred assembly, centering on the Madonna and Child.
About this work
Subject & Meaning
The inclusion of Saint John the Baptist, a common figure in such groupings, reinforces the theological narrative of Christ's future ministry and sacrifice.
The work is a religious painting depicting the Madonna and Child as its primary subject, accompanied by Saint John the Baptist and an unidentified saint. Created in 1500 by a Florentine artist, the composition centers on the enthroned Virgin Mary holding the Christ Child, a standard iconographic arrangement in devotional art. The inclusion of Saint John the Baptist, a common figure in such groupings, reinforces the theological narrative of Christ's future ministry and sacrifice.
The presence of a second, unnamed saint suggests a specific patronal or local devotional context, though the source material does not specify the individual's identity. As a religious genre piece, the painting serves a liturgical or private devotional function, emphasizing the sacred nature of the figures through their formal presentation.
Technique & Style
The painting, dated 1500, portrays the Virgin Mary enthroned with the Christ Child, accompanied by Saint John the Baptist and a second saint. Executed in the early sixteenth-century Florentine style, it is classified as a religious painting and measures 43.5 cm by 36.2 cm. The composition places the Madonna and Child centrally, with the saints positioned to either side, creating a balanced, devotional arrangement typical of the period. The work is housed in the Metropolitan Museum of Art. No detailed information on materials, technique, or current condition is provided in the sources.
Overview
This painting depicts a sacred assembly, centering on the Madonna and Child. Flanked by two saints, the figures are arranged within a framed space reminiscent of an altar. The composition emphasizes a moment of quiet reverence, with the central figures presented in a gentle and calm manner. The artwork serves as a devotional image, inviting contemplation of its holy subjects.
Artist & collection
