Artwork
東海道五十三次 荒井|Arai

東海道五十三次 荒井|Arai is an ink print by the Romanticist artist Utagawa Hiroshige. It dates from 1840 and is held in the collection of the Metropolitan Museum of Art.
- Accession no.
- JP782
About this work
Overview
This woodblock print, Arai, is part of Utagawa Hiroshige's series The Fifty-three Stations of the Tōkaidō, created around 1840. It is a representative work of Hiroshige's landscape style, characterized by a serene and evocative atmosphere.
Subject & Meaning
The print depicts a tranquil lakeside scene with a small island, people strolling along a fenced path, and tall pine trees lining the shore. A stone lantern and a bridge add to the scenery, set against a looming mountain in the background.
Technique & Style
Hiroshige employed simple shapes and bold colors to achieve a dreamy effect. The composition features soft, flat colors and clean lines, with the trees and water blending into the surrounding environment, characteristic of his signature ukiyo-e style.
History & Provenance
The print is held in The Metropolitan Museum of Art's collection, exemplifying Hiroshige's contribution to the late Edo period's ukiyo-e art, which shifted focus from urban to natural and scenic themes.
Artist & collection
Artist
Utagawa Hiroshige (歌川 広重) or Andō Hiroshige (安藤 広重), born Andō Tokutarō (安藤 徳太郎; 1797 – 12 October 1858), was a Japanese ukiyo-e artist, considered the last great master of that tradition.















