Artwork

View of Hoorn

View of Hoorn, by Abraham de Verwer, oil, 1650
View of Hoorn, by Abraham de Verwer, oil, 1650

View of Hoorn is an oil painting by the Baroque artist Abraham de Verwer. It dates from 1650 and is held in the collection of the National Gallery of Art.

About this work

Technique & Style

The painting is executed in oil on panel, measuring 51.1 × 94.6 cm. Its horizontal format accommodates a panoramic marine view consistent with the genre of marine art. Beyond these basic material facts, the provided sources do not specify handling, condition, or detailed formal and stylistic qualities of the work.

History & Provenance

The work entered the museum in May 2008 after being purchased from Johnny van Haeften, having previously been owned by Mr.

Abraham de Verwer executed this marine painting on panel in 1650. The work was in the collection of Mr. and Mrs. Arnoud Waller of Utrecht and Lunteren by 1938, remaining within their family through descent. It subsequently entered the market through the London dealer Johnny van Haeften.

In May 2008, the gallery sold the painting to the National Gallery of Art in Washington, D.C., where it currently resides.

View of Hoorn is currently held by the National Gallery of Art in Washington, D.C. The work entered the museum in May 2008 after being purchased from Johnny van Haeften, having previously been owned by Mr. and Mrs. Arnoud Waller of Utrecht and Lunteren. Its acquisition added a 17th‑century marine painting to the gallery’s collection, and it is catalogued within the institution’s holdings of Abraham de Verwer’s oeuvre. No specific exhibition record or accession number is documented in the available sources, and the painting’s provenance is traced through the Waller family, the London dealer, and the 2008 sale.

Overview

Abraham de Verwer's View of Hoorn, rendered in oil on panel around 1650, captures a tranquil marine vista. This painting exemplifies the artist's focus on maritime subjects during the Dutch Golden Age. It presents a serene body of water populated by various vessels, characteristic of the era's fascination with coastal and harbor scenes.

Subject & Meaning

The composition centers on a calm expanse of water, likely a harbor or bay, under a muted sky. In the foreground, two substantial, multi-masted ships are anchored to the left, balancing a smaller sailboat positioned on the right. The distant shoreline suggests a bustling port city, though rendered subtly. The scene evokes the maritime activity and economic prosperity typical of the Netherlands in the mid-17th century.

Context

Abraham de Verwer, active during the Dutch Golden Age and buried in Amsterdam in 1650, was a painter renowned for his detailed depictions of coastal and urban environments. Born in Haarlem in 1585, he frequently portrayed river landscapes, cityscapes, and seascapes. View of Hoorn is consistent with his established oeuvre, illustrating his skill in capturing the maritime character of the Netherlands during this period of significant artistic and economic flourishing.

Dutch ships in a harbour firing salute
Dutch ships in a harbour firing salute, Hendrick van Anthonissen

Artist & collection

Portrait of Abraham de Verwer

Artist

Abraham de Verwer

Abraham de Verwer (1585, Haarlem – 19 August 1650 (buried), Amsterdam), was a Dutch Golden Age painter of cityscapes, (river) landscapes and seascapes.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.

Frequently asked questions

Who painted View of Hoorn?

View of Hoorn was painted by Abraham de Verwer in c. 1650.

Where can I see View of Hoorn?

View of Hoorn is held by National Gallery of Art.

What movement is View of Hoorn?

View of Hoorn is associated with Baroque.