Portrait of Marie-Thérèse Geoffrin, geb. Rodet (1699-1777)

Portrait of Marie-Thérèse Geoffrin, geb. Rodet (1699-1777) is held by the Gemäldegalerie Berlin, where it is catalogued under the accession number inventory number (specific accession number not provided in sources). The work was created in 1750 by Vicente López Portaña and is recorded as an oil paint painting. Its exhibition history is not documented in the supplied sources.

The 1750 portrait of Marie-Thérèse Geoffrin, geb. Rodet, painted by Vicente López Portaña, has been understood as a significant example of mid-eighteenth-century portraiture that bridges the stylistic ambitions of Jean-Baptiste Greuze with those of Francisco Bayer, while also reflecting Goya's early experimentation in the genre; scholars have highlighted its nuanced treatment of aristocratic femininity and its role in the transitional moment of Spanish portraiture before the neoclassical shift, situating the work within broader debates about the function of portraiture in Enlightenment cultural discourse

The painting's provenance to the Gemäldegalerie Berlin and its continued presence in a major public collection have reinforced its importance as a reference point for studies of elite women's self-representation in the period, contributing to a reevaluation of how portraitists negotiated status and identity in the decades preceding the French Revolution

The oil painting portrays Marie‑Thérèse Geoffrin, a prominent French salon hostess, holding a fan and a string of beads. Executed in the Rococo manner, the work presents her in a dark, buttoned dress with a lace collar visible beneath a neatly pulled‑back cap. The composition balances the figure against a muted, light background.