Artwork
Delightful Wyoming!
Delightful Wyoming! is an ink print by the Romanticist artist Edward Webb. It dates from 1846 and is held in the collection of the National Gallery of Art.
- Inscription
- Inscribed:upper right in plate: 1.; at bottom in plate: G.E. Hicks delt. / E. Webb, sc. / Delightful Wyoming! / till evenings sweeter pastime grew, / With timbrel, when beneath the forests brown, / Thy lovely maidens would the dance renew. / Art-Union of London, 1846.
- Markings
- Marked:stamped upper left verso in blue ink: Corcoran Gallery of Art. Washington. D.C. Jun 12 1882
About this work
Overview
Edward Webb’s 1846 print titled “Delightful Wyoming!” is an engraving executed on wove paper using black ink. The work presents a rugged, mountainous terrain populated by a small group of travelers, a pair of seated men, two standing women, and a dog, set against a sky animated by swirling clouds. The composition captures a brief pause within an otherwise arduous journey across the American West.
Subject & Meaning
The inclusion of a dog reinforces the theme of travel and companionship in an untamed environment.
The scene depicts a moment of respite for four wayfarers amid a harsh, rocky landscape. One man leans on a staff while another rests his head on his hand, suggesting fatigue, whereas the women appear poised, one holding a staff and the other gazing away, perhaps contemplating the surrounding wilderness. The inclusion of a dog reinforces the theme of travel and companionship in an untamed environment.
Technique & Style
Webb employed the traditional engraving process, incising fine lines into a metal plate before transferring the image onto wove paper. His use of delicate hatching and cross‑hatching creates subtle gradations of tone, giving depth to the jagged rocks and the billowing clouds. The careful modulation of line weight conveys both the solidity of the terrain and the movement of the atmospheric sky.
History & Provenance
Created in 1846, the print reflects contemporary American interest in western expansion and the romanticization of frontier travel. While specific ownership records are limited, the work has been catalogued among 19th‑century American prints and is occasionally referenced in collections focusing on early depictions of Wyoming’s landscape.
Own this work as a print
Artist & collection
