Untitled

Untitled

William Pettet

1970

ink

From the collection of Museum of Modern Art

About this work

This painting is a mix of soft shapes and bright colors. You see yellows, pinks, and whites blended together without clear edges. Some areas look fuzzy, while others have sharp, clean lines. The colors sit next to each other like patches of light. The artist used a printing method that lets ink sit on a flat stone instead of brushes. This makes the colors look smooth but also a little uneven. The painting doesn’t show people or places—just colors and forms. Look up lithography next to see how this printing method works.

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