Who painted 明/清惲向欲雪圖冊頁|Snowscape, from Album for Zhou Lianggong?

明/清惲向欲雪圖冊頁|Snowscape, from Album for Zhou Lianggong was painted by Yun Xiang in datable to 1645–55.

Where can I see 明/清惲向欲雪圖冊頁|Snowscape, from Album for Zhou Lianggong?

明/清惲向欲雪圖冊頁|Snowscape, from Album for Zhou Lianggong is held by Metropolitan Museum of Art.

What movement is 明/清惲向欲雪圖冊頁|Snowscape, from Album for Zhou Lianggong?

明/清惲向欲雪圖冊頁|Snowscape, from Album for Zhou Lianggong is associated with Baroque.

Artwork

明/清惲向欲雪圖冊頁|Snowscape, from Album for Zhou Lianggong

Yun Xiang , 1650

明/清惲向欲雪圖冊頁|Snowscape, from Album for Zhou Lianggong is an ink painting by the Baroque artist Yun Xiang. It dates from 1650 and is held in the collection of the Metropolitan Museum of Art.

About this work

Subject & Meaning

The painting presents a winter mountain scene, titled “Snowscape” and attributed to Yun Xiang, created in 1620 as a double leaf of a twelve‑painting album compiled for the scholar Zhou Lianggong; the work is classified as a landscape painting that depicts a mountain, a motif traditionally associated with permanence and scholarly retreat in Chinese art. The composition combines ink on paper with calligraphic text on the facing page, and it is housed in the Metropolitan Museum of Art, where it is recorded as a landscape painting from early 17th‑century China.

Technique & Style

No information regarding handling, condition, or specific brushwork techniques is documented in the available sources.

Snowscape is executed in ink on paper, a monochrome medium consistent with literati landscape practice of the period. It takes the form of a double album leaf, paired with facing pages of calligraphy within a collective album of twelve paintings, a format that shaped both the scale and the viewing experience. The painting measures 24.8 by 33 centimeters, a horizontal orientation suited to the album format.

Stylistically, the work is classified as a landscape depicting mountains, rendered in Yun Xiang's brush manner. No information regarding handling, condition, or specific brushwork techniques is documented in the available sources.

History & Provenance

Snowscape, from Album for Zhou Lianggong, attributed to Yun Xiang, was created in 1620, as indicated by the recorded inception date of the work. It was produced in China as a double album leaf from a collective album of twelve paintings, executed in ink on paper. The album format suggests the work was part of a coordinated artistic project, with this leaf paired with facing pages of calligraphy.

The painting is presently held in the collection of the Metropolitan Museum of Art, where it remains on location. The sources document the work's date of creation, its country of origin, its medium, and its current institutional ownership, but do not provide further details regarding intermediate ownership, prior collecting history, or the circumstances of its commission beyond its inclusion in the album associated with Zhou Lianggong.

The painting Snowscape, from Album for Zhou Lianggong, is held in the collection of the Metropolitan Museum of Art in New York. It is catalogued as a double album leaf from a twelve‑painting set created by Yun Xiang around 1620 and is classified as a landscape work depicting a mountain. The museum’s record lists the work under its Paintings genre and gives dimensions of 24.8 × 33 cm, but the cited sources do not include an inventory or accession number. No exhibition history is mentioned in the sources consulted.

Overview

Yun Xiang's Snowscape, from Album for Zhou Lianggong is an ink on paper painting created around 1650. This work is a double leaf extracted from a larger collective album that originally featured twelve paintings alongside calligraphic pages. It presents a tranquil mountain landscape, rendered with a minimalist approach that evokes the quiet anticipation of winter.