Mughal Painting movement — works
1,333–1,368 of 2,004 works · most celebrated first
Text, Folio 38 (verso), from a Kalpa-sutra
Vigil on the Sixth Night After Mahavira's Birth, Folio 33 (recto), from a Kalpa-sutra
Kaiwan sends a message of love to Khurshid, wife of his brother Utarid who is away on a journey, from a Tuti-nama (Tales of a Parrot): Thirty-second Night
Krishna and Radha Quarreling: Shatha Nayaka, from a Rasikapriya
The marriage of ‘Ubaid, son of a merchant of Tirmiz, from a Tuti-nama (Tales of a Parrot): Forty-second Night
Prince Shreyamsa dreams of the coming of Rishabha, from a Panchakalyanaka (Five Auspicious Events)
Landscape with a lotus pool, from a Tuti-nama (Tales of a Parrot): Eighth Night
Hindola Raga
Khulasa, a vizier, sees the daughter of Khassa, another vizier, and covets her, from a Tuti-nama (Tales of a Parrot): Fifty-first Night
Friends of Krishna, folio 163 from a Bhakti Ratnavali of Vishnu Puri
Text, Folio 59 (recto), from a Kalpa-sutra
The disguised Arab, substituting for Habbaza, is whipped by her husband for refusing a bowl of milk, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night
The Parrot Addresses Khujasta at the Beginning of the Nineteenth Night, from a Tuti-nama (Tales of a Parrot)
Celestial Dancers, folio 5 (recto), from Brahman Rishabhadatta's speech, from a Kalpa-sutra
King Bhojaraja tries in vain to ascertain the whereabouts of the pearl from the four travelling companions, from a Tuti-nama (Tales of a Parrot): Twelfth Night
The parrot brings a fruit from the Tree of Life to the king of Syria, from a Tuti-nama (Tales of a Parrot): Ninth Night
Portrait of Maharaja Rai Singh of Bikaner (reigned 1574-1612)
Text, Folio 41 (verso), from a Kalpa-sutra
Raja Hari Sen of Mandi
The old procuress conveys the young man’s message of love to Mansur’s wife, from a Tuti-nama (Tales of a Parrot: Seventeenth Night
The astrologer predicts a calamity for the newly born prince in his thirteenth year, but one which he would be able to overcome, from a Tuti-nama (Tales of a Parrot): Eighth Night
The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night
The lion, suspecting treachery on the part of the monkey, slays him and flees, from a Tuti-nama (Tales of a Parrot): Twenty-ninth Night
Text, Folio 36 (verso), from a Kalpa-sutra
The Parrot Addresses Khujasta at the Beginning of the Twelfth Night, from a Tuti-nama (Tales of a Parrot)
Kaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night
The merchant hears of his wife’s unfaithfulness (above); the unfaithful wife performs penance by plucking her hair (below), from a Tuti-nama (Tales of a Parrot): First Night
Five Poses of Krishna Making Love, from a Bikaner Bhagavata Purana
Text, Folio 26 (recto), from a Kalpa-sutra
Heroine with attendant and a pair of deer
The Parrot Addresses Khujasta at the Beginning of the Thirtieth Night, from a Tuti-nama (Tales of a Parrot)
Text, Folio 5 (verso), from a Kalpa-sutra
King Bahram, who has married Khassa’s daughter, has her tied to a camel to be abandoned in the desert as a result of false accusations made by Khulasa, from a Tuti-nama (Tales of a Parrot): Fifty-first Night
Radha Awaiting Reconciliation with Krishna, from a Gita Govinda of Jayadeva
Text, Folio 45 (verso), from a Kalpa-sutra
The wolf and the jackal, serving as viziers, instigate the lion who pursues the Brahman up a tree, from a Tuti-nama (Tales of a Parrot): Twenty-first Night