Mughal Painting movement — works
1,369–1,404 of 2,004 works · most celebrated first
The monkey slain, his blood to be used as medicine for the ailing prince he has bitten, from a Tuti-nama (Tales of a Parrot): Fifth Night
Kakubha Ragini
The dervish brings in as dowry an elephant laden with gold, from a Tuti-nama (Tales of a Parrot): Seventh Night
Falcon
The snake enters into an argument with the frog, from a Tuti-nama (Tales of a Parrot): Twenty-sixth Night
The woman conversing with her children, as the leopard returns, egged on by a fox who is tied to his leg, from a Tuti-nama (Tales of a Parrot): Thirtieth Night
Mahavira in the Realm of Liberation (Nirvana), Folio 43 (verso), from a Kalpa-sutra
Text, folio 24 (verso), from a Kalpa-sutra
Text, Folio 55 (verso), from a Kalpa-sutra
A Monk Preaching: Folio 2 (recto), from a Kalpa-sutra
An Ambassador before Humayun
The young man of Baghdad reunited with his slave-girl, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night
Hunting with falcons in a landscape (recto)
Radha's hair being dressed
The third suitor strikes the devotee’s daughter and thus restores her to life, from a Tuti-nama (Tales of a Parrot): Twentieth Night
The goldsmith judged; the bear cubs trained by the carpenter as though they were his sons, from a Tuti-nama (Tales of a Parrot): Third Night
Radha and Hindu God Krishna celebrating the festival Holi
Ragini
Text, Folio 2 (verso), from a Kalpa-sutra
Mukhtar throws his wife Maimuna into the pit, but she saves herself, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night
The daughter-in-law of the king of Banaras, charmed by the music of a vagabond, comes down to meet him, from a Tuti-nama (Tales of a Parrot): Sixteenth Night
The magic parrot of the merchant talks to the vizier’s son, from a Tuti-nama (Tales of a Parrot): Tenth Night
Text, Folio 52 (recto), from a Kalpa-sutra
A Woman Charms Snakes in the Wilderness: Asavari Ragini, from a Ragamala
The two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Night
The monkey, serving as the lion’s chamberlain, converses with the lynx and its mate who have arrived with their cubs to settle in the lion’s domain, from a Tuti-nama (Tales of a Parrot): Twenty-ninth Night
Rati, the Goddess of Erotic Love, Takes Aim at Krishna, from a Rasikapriya
Text, Folio 21 (recto), from a Kalpa-sutra
The king of Bahilistan offers his daughter to the King of Kings, from a Tuti-nama (Tales of a Parrot): Seventh Night
Text, Folio 3 (verso), from a Kalpa-sutra
Text, Folio 53 (verso), from a Kalpa-sutra
Portrait of an Unidentified Noble from Shah Jahan's Court
In order to falsely implicate her husband, Hamnaz places a knife by his side and lets the blood dripping from her nose stain his clothes, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night
The merchant Mansur departs on a sea voyage, leaving his wife behind, from a Tuti-nama (Tales of a Parrot): Seventeenth Night
Text: Folio 2 (verso), from a Kalpa-sutra
Noblewoman at a Jharokha Window Holding a Rose, from a Portraits of Women series