Renaissance period — works
17,605–17,640 of 20,442 works · most celebrated first
Portrait of an Old Man
Text, Folio 58 (recto), from a Kalpa-sutra
Khusrau, the King of Kings, pays homage to the pious daughter of Khassa, from a Tuti-nama (Tales of a Parrot): Fifty-first Night
The Parrot Addresses Khujasta at the Beginning of the Seventeenth Night, from a Tuti-nama (Tales of a Parrot)
The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night
The court of the Raja of Ujjain, from a Tuti-nama (Tales of a Parrot): Forty-sixth Night
Crow on a Pomegranate
The lover of Hamnaz, who has been hanged from the gallows, bites off her nose when she kisses him, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night
Madonna and Child with Tobias and the Angel Raphael
Flowers of Four Seasons, with Poems
Landscape
Twelve Views of Tiger Hill
Text, Folio 75 (verso), from a Kalpa-sutra
The Nine Elders of the Mountain of Fragrance
Text, Folio 18 (verso), from a Kalpa-sutra
The Holy Family with Mary Magdalen
Portrait of a Prelate
Listening Angel
Text, Folio 73 (verso), from a Kalpa-sutra
The false Mansur punished before the judge and expelled from the city, from a Tuti-nama (Tales of a Parrot): Seventeenth Night
Brahman Rishabhadatta's speech, folio 5 from a Kalpa-sutra
The tale of the three men trapped in a cave by a rolling boulder, from a Tuti-nama (Tales of a Parrot): Thirty-second Night
Text, Folio 74 (verso), from a Kalpa-sutra
Plants and Insects
The parrot addresses Khujasta at the beginning of the fortieth night, from a Tuti-nama (Tales of a Parrot)
Indra Commands Harinaigameshin to Transfer the Embryo of Mahavira, Folio 9 (verso), from a Kalpa-sutra
Text, Folio 7 (verso), from a Kalpa-sutra
The merchant’s clerk replaces the sugar purchased by the philandering wife with gravel, from a Tuti-nama (Tales of a Parrot): Eighth Night
Madonna and Child
Listening to the Wind in the Pines
St. Francis Kneeling before Christ on the Cross
The two erring cooks, dressed as maidservants, fall at the prince’s feet and beg forgiveness, from a Tuti-nama (Tales of the Parrot): Fourth Night
Portrait of a Man
Text, Folio 5 (recto), from a Kalpa-sutra
The handmaiden again appeals for justice and the prince is led to the place of execution for the third time, from a Tuti-nama (Tales of a Parrot): Eighth Night
Shahr-Arai and her lover dallying on a bed beneath which is concealed her husband, from a Tuti-nama (Tales of a Parrot): Fortieth Night