Provenance · Acquisition fund
L. E. Holden
This catalog gathers 77 public-domain works acquired through the L. E. Holden fund. Every work is held by Cleveland Museum of Art.
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Portrait of a Man Holding a Watch -
Portrait of a Woman -
Design for a Cartouche -
Two Studies of a Flayed Man (recto) -
Two Studies of a Flayed Man (recto) Study of a Flayed Torso (verso) -
Profile of a Woman's Head (recto) A Kitchen Maid (verso) -
Study of a Flayed Torso (verso) -
Saint Stephen in Ecstasy -
The Meeting of Joachim and Anna -
Two Trees (recto) -
Female Nude, Seated, Three Quarter View from Front -
Tree Studies (verso) -
Arab Woman -
Two Trees (recto) Tree Studies (verso) -
A Kitchen Maid (verso) -
The King of Thule -
Profile of a Woman's Head (recto) -
Aeneas Saving Anchises at the Fall of Troy -
Landscape with the Village of Schenkenschanz, Gelderland -
A Farmhouse Interior with a Boy at a Table -
Bouquet -
Alice Montgomery (1850-1917) -
The Bull Ring, Ronda, Spain -
The Country Bridge (Staplylton Bridge, Bristol) -
Totems, Old Shipyard, Rye -
The Fiancée of the King of Garbe -
The Cobbler -
A Praying Monk -
Young Woman Standing -
The Four Times of Day: Morning -
Lot and His Daughters -
Blind Men from the Quinze Vingts, Walking -
The Seed finding Good Earth -
The Four Times of Day: Evening -
The Seed Falling among the Stones -
The Father's Leave-Taking -
View of a Seaport -
The Four Times of Day -
La Fortuna -
Art of the Lithograph: Dedication Sheet, Plate VII -
The Fair at Impruneta -
Dominique Vivant-Denon -
Annette and Lubin -
Solomon's Idolatry -
The Water Carriers -
Samson and Delilah -
The Death of the Courier -
The Four Times of Day: Night -
Landscape with the conversion of saulus -
The Brothers Conducting the Children to St. Nicholas of the Fields -
The Pawnshop -
The Seed Falling by the Wayside -
Chestnut Peddler -
Baths at Home -
Representation des Machines qui ont servi à eslever les deux grandes pierres qui couvrent le fronton de la principale entrée du Louvre -
Courtyard of a castle -
St. Philip Neri -
Children with Candle -
The Sacrifice of Polyxena -
Maternal Care -
The Seed Received among the Thorns -
The Public Writer -
Great Tumbler! -
The Hermit -
First frontispiece for Fables and Fairy-Tales by Thierry-Faletans -
Art of the Lithograph: Psalter- Initial B, Plate VIII -
The Game of Blind Man's Bluff -
Portrait of Janus Lutma the Elder -
The Farewells -
Cooking: The Cook -
Duguesclin -
Postal Horses -
Church of St. Nicholas, Rouen -
The Canon Ready to Fire -
The Foundling Hospital -
Before the Bath -
Parable of the Sower
On provenance & the public domain
A credit line — the small "Acquisition fund of…" note beside a work on a museum wall — records its provenance: how the object passed from a private hand into a public collection, whether as an outright gift, a bequest left in a will, the purchase from a named endowment, or an entire collection acquired at once. Because these works are in the public domain, anyone can study, share, and reproduce them freely. Browsing by provenance follows the human story behind a museum's holdings — the collectors and benefactors whose generosity put these works where the public can see them.
Every work in this catalog is in the public domain; images come from the museums that hold them.