Art Museum
Archaeological Museum of Asturias

Image: Wikimedia Commons.
Archaeological Museum of Asturias is an art museum in Oviedo, Spain.
About Archaeological Museum of Asturias
The Archaeological Museum of Asturias (Spanish: Museo Arqueológico de Asturias; Asturian: Muséu Arqueolóxicu d'Asturies) is housed in the 16th century Benedictine monastery of Saint Vicente in Oviedo, Asturias, Spain. Its findings include collections of the Asturian Neolithic, Megalithic, Bronze Age, Iron Age, Astur hill fort culture, Roman period, and of the Gothic, Pre-Romanesque and Romanesque periods of the Kingdom of Asturias. The museum also includes sections of Asturian Ethnography, Heraldry, Medieval and Modern Epigraphy, Spanish Numismatics, a European Medal Section, and Armor.
While owned by the Spanish State, its management was transferred to the regional administration in 1991.
Archaeological Museum of Asturias by the numbers
- Founded
- 1944
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Archaeological Museum of Asturias
Overview
The Archaeological Museum of Asturias (Spanish: Museo Arqueológico de Asturias; Asturian: Muséu Arqueolóxicu d'Asturies) is the principal archaeological museum of the Asturias region in northern Spain. Located in Oviedo, the capital of the Principality of Asturias, it is housed in the 16th-century Benedictine monastery of San Vicente. The museum preserves and displays the material archaeological heritage of Asturias, spanning from prehistoric times through the Middle Ages, and serves as the regional reference institution for research, conservation, and dissemination of Asturian archaeology.
Founding & history
The museum's origins trace to 1845, when the Comisión Provincial de Monumentos Históricos Artísticos de la Provincia de Oviedo was established to protect Asturian cultural heritage. This commission opened a first museum in 1870 in the former Convento de San Francisco, displaying pieces collected across Asturias and from private donations. The official founding of the Museo Arqueológico de Asturias came in 1944, though it did not open to the public until 21 September 1952 at its present location in the monastery of San Vicente. The collection grew through excavations, donations, and purchases. Notable acquisitions in the 1960s and 1970s included three major collections purchased by the Diputación de Oviedo: the archaeological collection of the heirs of Sebastián de Soto Cortés, the numismatic collection of Pedro Hurlé Mansó, and the weapons and coins collection of Tomás Fernández Bataller. Other significant donors included Aurelio del Llano, the Conde de la Vega del Sella, and Manuel González-Longoria y Leal, I Marqués de la Rodriga. By the 1990s, new cultural management policies in Spanish archaeology brought increased deposits, especially medieval materials from restored churches and historic centers. In 1998, the Ministry of Culture initiated rehabilitation and expansion procedures, which began in 2004 under architects Fernando Pardo Calvo and Bernardo García Tapia. The project expanded the museum to 5,810 m², with 2,013 m² dedicated to permanent exhibition space, at a cost of 16 million euros. During these works, workers discovered a 1.6-meter-high bastion of the primitive 8th-century wall of Oviedo, upon which the monastery cloister arcades rest; the design was modified to expose this section, supporting historian Juan Uría Ríu's hypothesis about the wall's route during the reign of Alfonso II. The museum was reinaugurated on 21 March 2011.
Collection scope
The museum's holdings encompass the full chronological range of Asturian human settlement. The permanent exhibition is organized into five thematic areas: Prehistoric Times, Neolithic and Metal Ages, the Era of the Castros, Rome in Asturias, and Medieval Asturias. The prehistoric section presents subsistence strategies and technical advances of Paleolithic peoples, with particular attention to Neanderthal discoveries from the cave of El Sidrón, and features parietal and portable art from nearly fifty decorated caves in the region. The Neolithic to Bronze Age section documents the transition to agriculture, pastoralism, and mining, with megaliths reflecting ritual and territorial complexity. The Iron Age castros (fortified settlements) illustrate the autonomous, clan-based hill fort culture that dominated Asturias before Roman arrival. The Roman period collection evidences urban and rural development, road networks, and large-scale gold mining that integrated the region into the classical world. The medieval section covers the Kingdom of Asturias through the Gothic, Pre-Romanesque, and Romanesque periods, including royal sites, churches, monasteries, and castles. Beyond these chronological displays, the museum maintains specialized sections for Asturian Ethnography, Heraldry, Medieval and Modern Epigraphy, Spanish Numismatics, a European Medal Section, and Armor.
Notable holdings
Among the museum's signature pieces are the Vega del Cielo mosaic, archaeological altar stones from San Miguel de Lillo and Santa María del Naranco, and the 12th-century sarcophagus of Gontrodo Pérez, lover of King Alfonso VII of León and mother of Urraca la Asturiana, Queen of Navarre. The prehistoric collections include significant bone harpoons and carved bone and stone art objects. The museum also preserves materials from the Desamortización of 1837, when ecclesiastical properties were disentailed; the Comisión de Monumentos gathered and protected religious artworks from abandoned monasteries and churches, forming the nucleus of the museum's collection. An annex section pays tribute to Friar Benito Feijoo y Montenegro, the Benedictine abbot of San Vicente and leading figure of the Spanish Enlightenment, with a reconstructed monastic cell in the grandest part of the old cloister.
Building & site
Since 1952, the museum has occupied parts of the former Benedictine monastery of San Vicente, whose cloister was declared a national monument (monumento nacional) in 1934. The monastery's history is deeply intertwined with the origins of Oviedo itself. Tradition holds that it was founded in 761, during the reign of Fruela I, though only fragmentary remains of this earliest structure survive. The present cloister was begun in the 1530s under master builder Juan de Badajoz el Mozo and completed in the 1570s by Juan de Cerecedo el Viejo and Juan de Cerecedo el Mozo. The cloister connects to a room with confessionals that structurally linked the monastery to the adjacent church of Santa María de la Corte, allowing monks to hear confession without leaving the monastery. The 2004-2011 rehabilitation revealed and incorporated the 8th-century city wall bastion into the museum's fabric.
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