Art Museum

Lee Ufan Museum

Lee Ufan Museum
Lee Ufan Museum

Lee Ufan Museum is an art museum in Naoshima, Japan.

About Lee Ufan Museum

The Lee Ufan Museum (李禹煥美術館) is an art museum on Naoshima, an island of Japan, dedicated to the work of Korean artist Lee Ufan. The first-ever museum in the world of such a kind, it was designed as a collaboration between Japanese architect Tadao Ando and Lee himself.

Lee Ufan Museum by the numbers

Founded
2010

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Lee Ufan Museum

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Overview

The Lee Ufan Museum is an art museum located on the island of Naoshima, Japan, dedicated to the work of the Korean artist, philosopher, and poet Lee Ufan. Established in 2010, it holds the distinction of being the first museum in the world devoted entirely to the artist. The institution is significant for its deep integration of art and architecture, conceived as a direct collaboration between Lee and the renowned Japanese architect Tadao Ando. Situated within the broader Benesse Art Site Naoshima, the museum provides a tranquil environment where nature, architecture, and art resonate with one another, offering a space for quiet contemplation.

Founding & history

The museum opened on June 15, 2010. Its creation was spurred by Soichiro Fukutake, who initially approached Lee Ufan about establishing a museum for his work. Lee was not originally enthusiastic about the idea. However, Tadao Ando convinced the artist to move forward by framing the project as a collaborative effort between the two. Lee emphasized that the resulting space was not simply an architectural container with art installed afterward, but rather a juxtaposition of both creators' ideas. Because of their long friendship, the design discussions proceeded smoothly without disagreements. The museum is part of the larger Naoshima art project supported by the Benesse Corporation and is operated by the Fukutake Foundation.

Collection scope

The museum's collection spans paintings and sculptures by Lee Ufan from the 1970s to the present day. The holdings reflect the artist's foundational role in the Mono-ha, or School of Things, movement, which emerged in Japan in the late 1960s. The paintings in the collection feature Lee's signature minimalist approach, including works with repeated brushstrokes applied in the rhythm of quiet breaths, as well as monochrome dots and lines. The sculptures, many bearing the title Relatum, organically connect raw, unaltered stones with industrial materials like steel plates, keeping the artist's intervention to an absolute minimum to reveal the inherent aesthetics of the materials and their environment.

Notable holdings

The museum organizes its holdings into distinct thematic spaces. In the Pole Place, sculptures include Relatum, Point, Line, Plane from 2010, Relatum, Dialogue from 2010, Relatum, Repose or the staff of Titan from 2013, Porte vers l'infini from 2019, and Relatum, Suggestion from 2008. The Correspondence Place features Relatum, A Signal from 2010, alongside paintings such as From Point from 1976 and 1980, From Line from 1974, With Winds from 1983, Correspondence from 1992, Dialogue from 2017, and an early Relatum from 1968 reconfigured in 2010. The museum also houses site-specific installations in specialized rooms, including Dialogue from 2013 in the Space, Void room, Relatum, Silence from 2010 in the Space, Silence room, and Relatum, Shadow of Stone from 2010 in the Space, Shadow room, alongside Dialogue from 2010 in the Space, Meditation room.

Building & site

Tadao Ando designed the museum as a semi-underground structure situated in a gentle valley surrounded by hills and the ocean. The building is constructed with large concrete walls and emphasizes the interplay between light and dark, as well as the relationship between nature and humankind. Its minimalism reflects the shared sensibilities of both Lee and Ando. Notably, Lee requested a more vertical orientation for the structure, contrasting with Ando's typically horizontal designs. The interior consists of three rectangular rooms, each with a different theme and varying levels of light, materiality, and scale tailored to the specific artworks. A closed triangular courtyard is also part of the layout. Visitors approach the museum via a winding path along parallel walls that form a subtle elevation, creating a meditative passage before entering the galleries.

Visiting

The Lee Ufan Museum is located at 1390 Azakuraura, Naoshima, Kagawa, Japan. It is open from 10:00 a.m. to 5:00 p.m., with last admittance at 4:30 p.m., and is closed on Mondays, though it opens on national holidays and closes the following day. Admission costs JPY1,200 for online purchases and JPY1,400 on-site, while children 15 and under enter free. Visitors are required to remove their shoes in some spaces, and photography, video recording, and sketching are strictly prohibited inside. The museum has limited accessibility due to the building's design and stairs, and it does not offer discounts for groups or holders of disability certificates. A second museum dedicated to the artist, Lee Ufan Arles, is located in the south of France.

Museums near Lee Ufan Museum

Artworks shown from Lee Ufan Museum are in the public domain; images via the open-access programs of their source collections. Spotted an error in this record? Tell us.