Artwork

Catafalque for Ranuccio II in the Church of the Steccata

Catafalque for Ranuccio II in the Church of the Steccata, by Alù, ink, 1695
Catafalque for Ranuccio II in the Church of the Steccata, by Alù, ink, 1695

Catafalque for Ranuccio II in the Church of the Steccata is an ink print by the Baroque artist Alù. It dates from 1695 and is held in the collection of the National Gallery of Art.

Inscription
Inscribed:recto: in plate, in image, at lower left: Ales. Barat. del.; in plate, in image, at lower right: N. Alu. scul.; below image at left in graphite in later hand: Baratta, Alessio; below image at right in graphite in later hand: Berlin 3235 / Catafalque for Duke Ranuccio II of Parma / (from Teatro Funebre..del Duca Ranuccio II..1695 / Parma; verso: at upper left in brown ink in later hand: 70
Markings
Marked:none

About this work

Candlesticks line the sides, and a draped coffin sits in the center, surrounded by swirling scrollwork and religious symbols.

This drawing shows a towering, ornate funeral structure in a church. It’s made of carved wood and metal, with spiraling columns, flickering flames, and a crown on top. Candlesticks line the sides, and a draped coffin sits in the center, surrounded by swirling scrollwork and religious symbols.

The detail work is wild, every corner has curls, crosses, and tiny figures. This was built for a funeral in 1695, but the artist, Alù, packed it with dramatic flair.

Next, check out etching to see how artists like this made precise, layered prints.

Overview

Catafalque for Ranuccio II in the Church of the Steccata is a 1695 etching on laid paper by Alù, currently in the collection of the National Gallery of Art, Washington.

Subject & Meaning

The etching depicts a grand, ornate catafalque erected in the Church of the Steccata for the funeral of Ranuccio II. The structure is adorned with spiraling columns, flames, a crown, candlesticks, and intricate scrollwork, incorporating religious symbols and miniature figures, reflecting the solemnity and pomp of the occasion.

Technique & Style

Alù's etching showcases meticulous detail and layered precision, characteristic of the medium. The level of intricacy, with curls, crosses, and small figures, highlights the artist's skill in capturing the dramatic and elaborate nature of the catafalque.

History & Provenance

Created in 1695 for Ranuccio II's funeral, the catafalque itself was a temporary structure. The etching by Alù, however, has endured, now residing in the National Gallery of Art, Washington, as part of its print collection.

Catafalque for the Funeral of Giulio Thieni, Marquis of Scandiano
Catafalque for the Funeral of Giulio Thieni, Marquis of Scandiano, Giovanni Luigi Valesio

Artist & collection

Artist

Alù

Alù (1695–1695) was an artist.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.

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Frequently asked questions

Who painted Catafalque for Ranuccio II in the Church of the Steccata?

Catafalque for Ranuccio II in the Church of the Steccata was painted by Alù in 1695.

Where can I see Catafalque for Ranuccio II in the Church of the Steccata?

Catafalque for Ranuccio II in the Church of the Steccata is held by National Gallery of Art.

What movement is Catafalque for Ranuccio II in the Church of the Steccata?

Catafalque for Ranuccio II in the Church of the Steccata is associated with Baroque.

Can I buy a print of Catafalque for Ranuccio II in the Church of the Steccata?

Museum-quality prints of Catafalque for Ranuccio II in the Church of the Steccata are available made-to-order from Artifact World Gallery.