Who painted Reverberations of Taiga, Volume 1 (leaf 25)?

Reverberations of Taiga, Volume 1 (leaf 25) was painted by Aoki Shukuya in 1704.

Where can I see Reverberations of Taiga, Volume 1 (leaf 25)?

Reverberations of Taiga, Volume 1 (leaf 25) is held by Cleveland Museum of Art.

What movement is Reverberations of Taiga, Volume 1 (leaf 25)?

Reverberations of Taiga, Volume 1 (leaf 25) is associated with Baroque.

Can I buy a print of Reverberations of Taiga, Volume 1 (leaf 25)?

Museum-quality prints of Reverberations of Taiga, Volume 1 (leaf 25) are available made-to-order from Artifact World Gallery.

Artwork

Reverberations of Taiga, Volume 1 (leaf 25)

Aoki Shukuya , 1704

Reverberations of Taiga, Volume 1 (leaf 25) is a work on paper by the Baroque artist Aoki Shukuya. It dates from 1704 and is held in the collection of the Cleveland Museum of Art.

Accession no.: 1979.73.1.25
Credit line: Andrew R. and Martha Holden Jennings Fund

About this work

Overview

Reverberations of Taiga, Volume 1 (leaf 25) is a work by Japanese artist Aoki Shukuya, characterized by simple depictions of natural elements: rocks, trees, and mountains.

Subject & Meaning

The subject matter focuses on serene, elemental components of the natural world, reflecting a traditional Japanese artistic emphasis on harmony with nature.

Technique & Style

Executed in a straightforward style, the piece showcases the artist's mastery of ink and brush techniques learned through apprenticeship, with compositional choices and aesthetic sensibilities mirroring those of Shukuya's master, Ikeno Taiga.

History & Provenance

Created by Aoki Shukuya, a pupil of the renowned Kyoto artist Ikeno Taiga, this leaf from the portfolio Reverberations of Taiga, Volume 1, exemplifies the traditional Japanese apprenticeship model where students replicated their master's style to hone their craft.

Context

Within the broader context of Japanese art, this work illustrates the prevalent practice of apprentices learning by replicating their master's compositions, ensuring the continuity of stylistic traditions.