Artwork
Acts of Mercy. St Joachim Visiting St Elizabeth
Acts of Mercy. St Joachim Visiting St Elizabeth is an unspecified painting by the Early Baroque Italian artist Bartolomeo Schedoni. It dates from 1614 and is held in the collection of the Statens Museum for Kunst.
About this work
Subject & Meaning
The work thus functions as a visual meditation on sacred kinship, rendered in the stylistic vocabulary of early‑17th‑century Italian devotional art.
The painting portrays the biblical encounter between Saint Joachim and Saint Elizabeth, figures drawn from the apocryphal Protoevangelium of James that underpins much of Christian iconography concerning familial holiness. In this composition the two saints meet in a domestic interior, a moment that symbolizes divine favor and the fulfillment of promise, reflecting themes of mercy and intergenerational grace within the religious narrative. The work thus functions as a visual meditation on sacred kinship, rendered in the stylistic vocabulary of early‑17th‑century Italian devotional art.
The source confirms the depicted subjects as Joachim and Elizabeth and situates the painting within the genre of religious art, providing the canonical details of its creation and physical dimensions.
History & Provenance
Acts of Mercy. St Joachim Visiting St Elizabeth is a religious painting by Bartolomeo Schedoni, dated 1614. The work is held in the collection of the Statens Museum for Kunst, where it remains located. No additional information regarding its commission, prior ownership, or chain of custody is documented in the available sources.
The sources establish only the creation date and the current institutional holding, without details on how the painting entered the Statens Museum for Kunst's collection, any earlier owners, or the circumstances of its commission.
The painting Acts of Mercy. St Joachim Visiting St Elizabeth is held in the collection of the Statens Museum for Kunst in Copenhagen. The work, created in 1614, is part of the museum's holdings of religious art depicting the figures of Joachim and Elizabeth.
While the painting is confirmed to be in the Statens Museum for Kunst, the provided sources do not specify an inventory or accession number for the piece. Furthermore, no exhibition history is recorded in the available documentation.
Legacy
Acts of Mercy. St Joachim Visiting St Elizabeth by Bartolomeo Schedoni exerted limited documented influence on later religious painting, with its reputation largely confined to specialist scholarship on Schedoni’s oeuvre. The work remains in the collection of the Statens Museum for Kunst, where it is studied as an example of early 17th-century Bolognese-influenced narrative figuration.
Its legacy is primarily archival, cited in art historical surveys of Schedoni’s career rather than noted for direct impact on subsequent artists or movements.
Overview
Created in 1614, this oil painting by Bartolomeo Schedoni portrays a domestic interior where a male figure, staff in hand, stands opposite a seated woman cradling an infant. A second woman, positioned behind them, carries a basket. Architectural elements such as columns, a stone floor, and a distant staircase frame the scene, emphasizing the intimate encounter.
Technique & Style
Schedoni employs a pronounced chiaroscuro, juxtaposing deep shadows with illuminated figures to model forms and draw the eye to the central characters. The contrast heightens the three‑dimensionality of the figures and the architectural space, while the muted palette and careful handling of light reflect early Baroque sensibilities.
Artist & collection
The Adoration of the Magi
The Holy Family
The Adoration of the Magi
Anbetung der Könige (Kopie nach)
St. Peter Baptizing the Centurion, Cornelius
The Adoration of the Magi
The Adoration of the Kings
Cityscape with Christ healing a man born blind
Die Anbetung der Hirten
Gleichnis vom verlorenen Sohn
The Circumcision- Acts of Mercy. St Joachim Visiting St Elizabeth