Artwork
Portrait of a Man

Portrait of a Man is an oil painting by the Northern Renaissance artist Corneille de Lyon. It dates from 1540 and is held in the collection of the Metropolitan Museum of Art.
About this work
Technique & Style
Corneille de Lyon’s technique emphasizes a restrained palette and smooth, even brushwork, focusing on clarity and refinement rather than textural illusionism.
The painting is executed in oil on a wood panel support, a common medium for sixteenth-century French portraiture. The handling is precise and linear, with careful attention to the delineation of facial features and costume details. Corneille de Lyon’s technique emphasizes a restrained palette and smooth, even brushwork, focusing on clarity and refinement rather than textural illusionism.
The composition is tightly framed, with the sitter positioned close to the picture plane against a neutral background, a stylistic choice that isolates the figure and emphasizes physiognomic detail. The condition is reported as stable, with no significant losses or restorations altering the original surface. Formal qualities include a strong emphasis on linearity, subtle modeling of form through delicate glazing, and a restrained yet luminous use of color.
History & Provenance
The painting, attributed to Corneille de Lyon, is dated to circa 1540 based on stylistic analysis and the artist’s active period. It is executed in oil on panel, a medium typical of the artist’s small-scale portraits. Provenance records indicate that the work was once in the collection of Louisine Havemeyer before entering the holdings of the Metropolitan Museum of Art, where it remains today. No earlier owners or specific commission details are provided in the available sources.
The Portrait of a Man, attributed to Corneille de Lyon and dated to 1540, is currently held in the collection of the Metropolitan Museum of Art. The work is executed in oil paint on a panel measuring 17.5 cm in height and 15.6 cm in width. Prior to its acquisition by the museum, the painting was owned by Louisine Havemeyer.
The provided sources do not contain specific inventory or accession numbers for the piece, nor do they list any exhibition history or dates of display. Consequently, while the current location and former ownership are documented, the specific accession details and exhibition record remain unrecorded in the available data.
Overview
Painted in 1540, Corneille de Lyon's Portrait of a Man exemplifies the refined small-scale portraiture characteristic of the French Renaissance. The work depicts a bearded man in three-quarter view, dressed in a black cap and dark garment with a white collar, set against a uniform dark green background. De Lyon employs a technique of soft, diffused lighting that models the sitter's face with subtle gradations of tone, eliminating harsh shadows to create a calm, introspective atmosphere.
This approach highlights the texture of the skin and the fabric while maintaining a sense of psychological immediacy. As a follower of the Northern Renaissance tradition who settled in Lyon, de Lyon specialized in these intimate, half-length portraits, often executed on small oak panels. This piece reflects his mature style, where the focus shifts from elaborate detail to a restrained elegance and precise observation of the individual.
The painting stands as a representative example of the artist's contribution to the development of the French portrait tradition, bridging Dutch precision with French courtly sensibility.
Subject & Meaning
The painting presents a man with a dark beard and mustache, depicted with a serious expression. He wears a dark cap and a dark shirt, accented by a white collar, typical attire of the era. The plain, dark green background serves to emphasize the figure, drawing the viewer's attention directly to his features. His composed demeanor suggests a formal representation, common in portraits commissioned during the Renaissance.
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Artist & collection
Artist
Corneille de Lyon was a Dutch painter of portraits who was active in Lyon, France, from 1533 until his death. In France and the Netherlands he is also still known as Corneille de La Haye after his birthplace, The Hague.


















