Artwork
FIBRE

FIBRE is an unspecified painting by the Vienna Secession artist Dagobert Peche. It dates from 1922 and is held in the collection of the Metropolitan Museum of Art.
About this work
History & Provenance
While the artwork depicts a flower, the provided sources do not list any specific exhibitions in which this piece has appeared.
Created in 1922 by the Austrian artist Dagobert Peche, Fibre is a painting depicting floral motifs. The work entered the collection of the Metropolitan Museum of Art, where it is cataloged under the accession number 1984.537.4a-c. While the specific circumstances of its commission and the details of its ownership prior to 1984 are not detailed in the available records, the piece is firmly dated to its year of inception and currently resides within the museum's holdings.
Dagobert Peche's 1922 painting Fibre is held in the collection of the Metropolitan Museum of Art in New York. The work was acquired by the museum in 1984 and assigned the accession number 1984.537.4a-c. While the artwork depicts a flower, the provided sources do not list any specific exhibitions in which this piece has appeared.
Context
Dagobert Peche's FIBRE (1922), a painting held in the Metropolitan Museum of Art, was created during the early 20th century when modernist experimentation with form and botanical subjects flourished. The work depicts a flower and measures 47.3 cm in height by 37.1 cm in width, reflecting contemporary artistic engagements with natural motifs through a refined modernist approach. Its inclusion in the Met's collection since 1984 underscores its significance within Peche's oeuvre and the broader discourse on early modernist painting practices.
Overview
Created in 1922 by Austrian artist and metalworker Dagobert Peche, FIBRE is a small painted composition now held by the Metropolitan Museum of Art. The work belongs to the Vienna Secession period, reflecting the artist’s engagement with the movement’s modernist ideals.
Subject & Meaning
The painting presents a stylised flower rendered through abstracted lines and shapes. The motif, reduced to essential forms, suggests a decorative exploration of nature rather than a literal representation, aligning with the Secessionist interest in merging art and design.
Technique & Style
FIBRE consists of three narrow, rectangular panels arranged vertically on an off‑white backing with a serrated edge. Each panel features a distinct colour field, yellow, light blue, and pink, overlaid with wavy lines, geometric motifs and floral hints in contrasting hues, creating a restrained yet dynamic visual rhythm.
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Artist & collection
Artist
Dagobert Peche (3 April 1887, Sankt Michael/Lungau, Duchy of Salzburg – 16 April 1923, Modling) was an Austrian artist and metalworker designer.










