Who painted ZIGZAG BRAID?

ZIGZAG BRAID was painted by Dagobert Peche in 1922-01-01.

Where can I see ZIGZAG BRAID?

ZIGZAG BRAID is held by Metropolitan Museum of Art.

What movement is ZIGZAG BRAID?

ZIGZAG BRAID is associated with Bauhaus.

Can I buy a print of ZIGZAG BRAID?

Museum-quality prints of ZIGZAG BRAID are available made-to-order from Artifact World Gallery.

Artwork

ZIGZAG BRAID

Dagobert Peche , 1922

ZIGZAG BRAID is an unspecified painting by the Bauhaus artist Dagobert Peche. It dates from 1922 and is held in the collection of the Metropolitan Museum of Art.

About this work

History & Provenance

The work is currently held in the collection of the Metropolitan Museum of Art in New York, where it is cataloged under the accession number 1984.

Zigzag Braid is a painting created in 1922 by the Austrian artist Dagobert Peche. The work is currently held in the collection of the Metropolitan Museum of Art in New York, where it is cataloged under the accession number 1984.537.8a-c. The museum acquired the piece in 1984, marking the beginning of its documented institutional ownership. No specific details regarding the original commission, earlier private owners, or the precise circumstances of its creation prior to museum acquisition are provided in the available records.

The painting Zigzag Braid, created by Dagobert Peche in 1922, is held in the collection of the Metropolitan Museum of Art. The work was accessioned by the museum in 1984 under the inventory number 1984.537.8a-c. While the entity is classified as a painting, specific records regarding its exhibition history are not provided in the available sources.

Overview

Created in 1922 by Austrian designer Dagobert Peche, Zigzag Braid is a small painted composition composed of three vertically stacked rectangular panels. The work belongs to the Bauhaus period and is part of the Metropolitan Museum of Art’s collection. Its modest size and restrained palette focus attention on the stark black lines that dominate the surface.

Subject & Meaning

The piece presents a series of black, zigzagtinged strokes that interlace across each panel, suggesting the visual impression of a braided rope. By reducing the motif to pure line and form, Peche explores the relationship between decorative pattern and functional clarity, a concern central to his background in applied arts.

Technique & Style

Peche applied the zigzag lines with a hand‑drawn quality; the strokes wobble slightly and the panel edges appear uneven, reminiscent of torn paper. The muted background tones, light gray, beige and white, contrast sharply with the black markings, emphasizing the graphic rhythm while retaining a tactile, handcrafted feel.

Context

Zigzag Braid reflects the Bauhaus ethos of uniting art, craft, and industry. Peche’s training as a metalworker informed his emphasis on functional ornamentation, aligning with the school’s objective to create aesthetically pleasing objects that could be mass‑produced without sacrificing visual integrity.