Who painted Pan and Syrinx?

Pan and Syrinx was painted by Michel Dorigny in 1666.

Where can I see Pan and Syrinx?

Pan and Syrinx is held by National Gallery of Art.

What movement is Pan and Syrinx?

Pan and Syrinx is associated with Baroque.

Can I buy a print of Pan and Syrinx?

Museum-quality prints of Pan and Syrinx are available made-to-order from Artifact World Gallery.

Artwork

Pan and Syrinx

Michel Dorigny , 1666

Pan and Syrinx is an ink print by the Baroque artist Michel Dorigny. It dates from 1666 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:recto: none; verso: in graphite, at bottom: A.D. No. 4 tres belle epreuve
Markings: Marked:none

About this work

Overview

Pan and Syrinx is a 1666 print by Michel Dorigny, combining etching and engraving on laid paper to depict a dynamic mythological scene.

Subject & Meaning

The print illustrates a chaotic forest scene where the mythological figure Pan, characterized by his muscular build, horns, and goat-like legs, pursues Syrinx. As she transforms into reeds to escape, another figure kneels in apparent distress, while a child observes from the ground, highlighting the intersection of myth, transformation, and witness.

Technique & Style

Dorigny employed expressive lines through etching and engraving to convey movement and emotion, achieving a sense of dynamism. The metamorphosis of Syrinx into reeds is rendered with particular ingenuity, showcasing the artist's skill in suggesting transformation through line work.

History & Provenance

Created in 1666, specific details about the print's provenance and historical context are not provided in the available information.

Context

This work reflects the 17th-century interest in classical mythology as subject matter for art, with Dorigny's interpretation offering a vivid, kinetic portrayal of a ancient tale.

Legacy

The legacy of 'Pan and Syrinx' lies in its representation of Baroque printmaking techniques and the enduring depiction of mythological themes in European art.