Who painted Parisian Service (Haviland service): Fog (no. 1)?

Parisian Service (Haviland service): Fog (no. 1) was painted by Félix Bracquemond in 1875.

Where can I see Parisian Service (Haviland service): Fog (no. 1)?

Parisian Service (Haviland service): Fog (no. 1) is held by Cleveland Museum of Art.

What movement is Parisian Service (Haviland service): Fog (no. 1)?

Parisian Service (Haviland service): Fog (no. 1) is associated with Impressionism.

Can I buy a print of Parisian Service (Haviland service): Fog (no. 1)?

Museum-quality prints of Parisian Service (Haviland service): Fog (no. 1) are available made-to-order from Artifact World Gallery.

Artwork

Parisian Service (Haviland service): Fog (no. 1)

Félix Bracquemond , 1875

Parisian Service (Haviland service): Fog (no. 1) is a print by the Impressionist artist Félix Bracquemond. It dates from 1875 and is held in the collection of the Cleveland Museum of Art. Parisian Service (Haviland service): Fog (no.

Accession no.: 1922.412.1
Credit line: Dudley P. Allen Fund

About this work

Overview

Parisian Service (Haviland service): Fog (no. 1) is a print by Félix Bracquemond, dating to 1875, currently part of The Cleveland Museum of Art's collection.

Subject & Meaning

The work depicts a serene winter scene featuring bare branches and three birds, with two perched on the right and one in flight near the top, emphasizing simplicity and movement.

Technique & Style

Characterized by loose, sketchy lines and subtle shading to suggest texture, the piece prioritizes capturing light and everyday moments over detailed rendering.

Context

This style aligns with the broader artistic movement of Impressionism, which focused on light, everyday life, and capturing fleeting moments.

History & Provenance

Created in 1875 by Félix Bracquemond, the print is now held in the collection of The Cleveland Museum of Art.

Own this work as a print

Artist & collection

Artist

Félix Bracquemond

Félix Henri Bracquemond was a French painter, etcher, and printmaker. He played a key role in the revival of printmaking, encouraging artists such as Édouard Manet, Edgar Degas and Camille Pissarro to use this technique.