Who painted Parisian Service (Haviland service): Snow (no. 6)?

Parisian Service (Haviland service): Snow (no. 6) was painted by Félix Bracquemond in 1875.

Where can I see Parisian Service (Haviland service): Snow (no. 6)?

Parisian Service (Haviland service): Snow (no. 6) is held by Cleveland Museum of Art.

What movement is Parisian Service (Haviland service): Snow (no. 6)?

Parisian Service (Haviland service): Snow (no. 6) is associated with Impressionism.

Can I buy a print of Parisian Service (Haviland service): Snow (no. 6)?

Museum-quality prints of Parisian Service (Haviland service): Snow (no. 6) are available made-to-order from Artifact World Gallery.

Artwork

Parisian Service (Haviland service): Snow (no. 6)

Félix Bracquemond , 1875

Parisian Service (Haviland service): Snow (no. 6) is a print by the Impressionist artist Félix Bracquemond. It dates from 1875 and is held in the collection of the Cleveland Museum of Art. Parisian Service (Haviland service): Snow (no.

Accession no.: 1922.412.6
Credit line: Dudley P. Allen Fund

About this work

Overview

Parisian Service (Haviland service): Snow (no. 6) is a print by Félix Bracquemond, dated to 1875, currently in the collection of The Cleveland Museum of Art.

Subject & Meaning

The work depicts a serene winter landscape featuring snow-covered, bare tree branches in the foreground, with birds perched or in flight nearby, set against a muted, soft-colored background. The composition conveys a sense of peacefulness.

Technique & Style

Bracquemond employed soft colors and gentle brushstrokes to achieve a calming atmosphere. Notable is the detailed rendering of snow on branches and the birds, which lends the scene a realistic quality.

History & Provenance

Created in 1875 by Félix Bracquemond, the print is now part of The Cleveland Museum of Art's collection.

Parisian Service (Haviland service): The Terror (no. 4), Félix Bracquemond

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Artist & collection

Artist

Félix Bracquemond

Félix Henri Bracquemond was a French painter, etcher, and printmaker. He played a key role in the revival of printmaking, encouraging artists such as Édouard Manet, Edgar Degas and Camille Pissarro to use this technique.