Who painted The Ecstasy of Saint Paul?

The Ecstasy of Saint Paul was painted by Jeremias Falck in 1655.

Where can I see The Ecstasy of Saint Paul?

The Ecstasy of Saint Paul is held by National Gallery of Art.

What movement is The Ecstasy of Saint Paul?

The Ecstasy of Saint Paul is associated with Baroque.

Can I buy a print of The Ecstasy of Saint Paul?

Museum-quality prints of The Ecstasy of Saint Paul are available made-to-order from Artifact World Gallery.

Artwork

The Ecstasy of Saint Paul

Jeremias Falck , 1655

The Ecstasy of Saint Paul is an ink print by the Baroque artist Jeremias Falck. It dates from 1655 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:by later hand, lower left in ink: chevalier calabrois - P.; by later hand, lower right in ink: v..dalen Sc; lower center in graphite: [?]

About this work

Overview

The Ecstasy of Saint Paul is a 17th-century print by Jeremias Falck, dating to circa 1655, executed in engraving and etching on laid paper, represented here in a proof state.

Subject & Meaning

Depicting a pivotal religious moment, the print shows Saint Paul in a state of intense spiritual ecstasy.

Depicting a pivotal religious moment, the print shows Saint Paul in a state of intense spiritual ecstasy. Lying on the ground in a white robe, with his right arm raised upwards, the saint's facial expression and body language convey profound emotional and spiritual intensity. Above him, a group of angels, distinguished by their wings and engaged in playing musical instruments, appear to either celebrate or accompany his transcendent experience.

Technique & Style

Technically, the work combines engraving and etching techniques on laid paper. Stylistically, while the source mentions a visual note akin to Baroque (with dramatic lighting and emotional intensity), the print's specific stylistic attributes (e.g., line work, shading) are not detailed here, though the dramatic contrast between the dark background and celestial light is noteworthy.

History & Provenance

Created around 1655 by Jeremias Falck, specific details regarding the print's history, ownership, or exhibition history before its current location are not provided.

Context

Though direct stylistic comparisons are not made in the source, the dramatic lighting and emotional intensity suggest alignment with the broader Baroque movement, which emphasized strong emotions and powerful contrasts in religious subjects.

Legacy

Information on the print's impact, influence, or reception over time is not provided in the source material.