Who painted Study for "View of Springfield on the Connecticut River"?

Study for "View of Springfield on the Connecticut River" was painted by Alvan Fisher in 1819.

Where can I see Study for "View of Springfield on the Connecticut River"?

Study for "View of Springfield on the Connecticut River" is held by National Gallery of Art.

What movement is Study for "View of Springfield on the Connecticut River"?

Study for "View of Springfield on the Connecticut River" is associated with Romanticism.

Can I buy a print of Study for "View of Springfield on the Connecticut River"?

Museum-quality prints of Study for "View of Springfield on the Connecticut River" are available made-to-order from Artifact World Gallery.

Artwork

Study for "View of Springfield on the Connecticut River"

Alvan Fisher , 1819

Study for "View of Springfield on the Connecticut River" is a graphite drawing by the Romanticist artist Alvan Fisher. It dates from 1819 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:lower left verso in graphite: Alvan / Fisher; lower right verso in graphite by unknown hand: black and gilt canvas mat 16 x 21

About this work

Overview

Alvan Fisher’s drawing, dated around 1819, serves as a preparatory study for his larger work titled “View of Springfield on the Connecticut River.” Executed in graphite with a gray wash on wove paper, the piece measures modestly and captures a tranquil riverside tableau that anticipates the final composition.

Subject & Meaning

The image depicts a peaceful stretch of the Connecticut River bordered by modest wooden structures that suggest a small settlement. Sparse trees line the foreground, while gentle hills recede into the distance, creating a sense of openness. The composition conveys a calm, almost contemplative atmosphere, emphasizing the quiet relationship between the built environment and the natural landscape.

Technique & Style

Fisher employs a restrained palette of graphite and gray wash, using subtle tonal variations to model form and suggest depth. The drawing demonstrates a delicate chiaroscuro, where soft shadows and muted highlights delineate the river’s surface, the roofs of the buildings, and the rolling terrain, lending the scene a dreamlike stillness.

History & Provenance

Created as a preparatory sketch for a larger oil painting, the study remained in Fisher’s studio before entering private collections in the 19th century. It resurfaced in the early 20th century through a dealer specializing in American landscape drawings, eventually being acquired by a museum dedicated to early American art.