Who painted The Anchorite?

The Anchorite was painted by Mariano Fortuny Marsal in 1869.

Where can I see The Anchorite?

The Anchorite is held by National Gallery of Art.

What movement is The Anchorite?

The Anchorite is associated with Impressionism.

Can I buy a print of The Anchorite?

Museum-quality prints of The Anchorite are available made-to-order from Artifact World Gallery.

Artwork

The Anchorite

Mariano Fortuny Marsal , 1869

The Anchorite is an ink print by the Impressionist artist Mariano Fortuny Marsal. It dates from 1869 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:lower left in graphtie: -ANACHORĒTE; lower right in graphite: no. 16

About this work

Overview

Mariano Fortuny Marsal’s print The Anchorite, executed around 1869, is an etching and aquatint on laid paper. The work measures a modest size and resides in the collection of the National Gallery of Art in Washington, D.C. It exists as a proof predating the first edition printed in 1875, offering a glimpse of Fortuny’s early printmaking practice.

Subject & Meaning

The image depicts a solitary figure kneeling within a dimly lit, rocky cavern, head bowed in contemplation. Beyond the entrance, a twisted tree with exposed roots rises from a small patch of grass, while a dead fish lies on the ground, a tiny bird pecking at it. The stark juxtaposition of life, death, and isolation suggests a meditation on spiritual withdrawal.

Technique & Style

Fortuny combined traditional etching with aquatint, employing selective wiping to achieve nuanced tonal gradations. The deep shadows of the cave are rendered through dense line work, whereas the tree’s gnarled branches emerge with lighter, more textured strokes. This interplay of line and wash creates a tactile sense of depth uncommon in many contemporary prints.

History & Provenance

The Anchorite was produced as a proof before the first edition of 1875, indicating Fortuny’s experimental phase with the medium. It entered the National Gallery of Art’s holdings through a mid‑20th‑century acquisition, where it has been displayed as part of the museum’s European print collection.

Context

Created in the late 1860s, the print reflects the broader Romantic fascination with solitary figures and rugged landscapes. Fortuny, known primarily for his later Orientalist paintings, explored printmaking as a means to study atmospheric effects and narrative composition during this period.