Artwork

The Letter of Admission, Interior of a Convent

The Letter of Admission, Interior of a Convent, by François Bonvin, 1867
The Letter of Admission, Interior of a Convent, by François Bonvin, 1867

The Letter of Admission, Interior of a Convent is a drawing by the Impressionist artist François Bonvin. It dates from 1867 and is held in the collection of the Cleveland Museum of Art.

Accession no.
1979.24
Credit line
Donated by friends of Moselle Taylor Meals in her memory

About this work

Overview

The Letter of Admission, Interior of a Convent is a drawing by François Bonvin, created around 1867. It is part of the collection at The Cleveland Museum of Art.

Subject & Meaning

The drawing depicts a woman in a simple, darkened room, wearing a nun's attire and holding a document. Her serious expression and the quiet atmosphere of the room convey a sense of contemplation and solemnity.

Technique & Style

The sketch is characterized by loose lines and smudges, giving it a spontaneous and rough appearance. The faded quality of the drawing adds to its informal, quickly executed feel.

Artist & collection

Portrait of François Bonvin

Artist

François Bonvin

François Bonvin (1817–1887) was a French artist, born in Paris.

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.

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Frequently asked questions

Who painted The Letter of Admission, Interior of a Convent?

The Letter of Admission, Interior of a Convent was painted by François Bonvin in 1867.

Where can I see The Letter of Admission, Interior of a Convent?

The Letter of Admission, Interior of a Convent is held by Cleveland Museum of Art.

What movement is The Letter of Admission, Interior of a Convent?

The Letter of Admission, Interior of a Convent is associated with Impressionism.

Can I buy a print of The Letter of Admission, Interior of a Convent?

Museum-quality prints of The Letter of Admission, Interior of a Convent are available made-to-order from Artifact World Gallery.