Who painted Title Page?

Title Page was painted by Theodor Galle in 1613.

Where can I see Title Page?

Title Page is held by National Gallery of Art.

What movement is Title Page?

Title Page is associated with Baroque.

Can I buy a print of Title Page?

Museum-quality prints of Title Page are available made-to-order from Artifact World Gallery.

Artwork

Title Page

Theodor Galle , 1613

Title Page is an ink print by the Baroque artist Theodor Galle. It dates from 1613 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:center in plate: ICONES / PROPHETARVM / VETERIS / TESTAMENTI, / à IOANNE STRADANO / delineatae, / à THEODORO GALLAEO / excufae. / ANTVERPIAE,M.DC.XIII.

About this work

Overview

Title Page is a 1613 engraving on laid paper by Theodor Galle, presented in a grand, framed doorway composition. The black-and-white print features symmetrical, intricately detailed elements, including winged figures, scrolls, a dove, and a sunburst, centered around a Latin inscription.

Subject & Meaning

The engraving depicts two angelic, winged figures flanking a central text, with a dove hovering near a sunburst above. The dove is a common symbol for the Holy Spirit, and the overall scene is interpreted in relation to the referenced 'Icons of the Prophets of the Old Testament' announced by the Latin text.

Technique & Style

Characterized by meticulous lines and shading, the print exemplifies the detailed capabilities of engraving as a medium. The composition's balance and the rendering of light and texture through line work reflect Galle's mastery of the technique.

History & Provenance

Created in 1613 by Theodor Galle, specific details about the print's original context, ownership history, or exhibition record are not provided in the available information.

Context

Emerging from the early 17th-century European artistic landscape, this engraving blends religious symbolism with the technical precision of Northern European printmaking traditions of its time.

Legacy

While the broader impact or notable reproductions of this specific engraving are not detailed, it contributes to the understanding of 17th-century religious art and the evolution of engraving techniques in European print history.