Artwork
The Penitent Magdalen

The Penitent Magdalen is an oil painting by the French Classical Baroque artist Georges de La Tour. It dates from 1640 and is held in the collection of the Metropolitan Museum of Art.
About this work
A single candle lights Mary Magdalene's downcast face as she kneels over a skull, her cast-off jewels glinting in the dark. Georges de La Tour painted this nocturnal scene, the Wrightsman Magdalen, with stark chiaroscuro and spare geometry instead of Baroque spectacle. It entered the Met in 1978 as a gift from Charles and Jayne Wrightsman.
Overview
Georges de La Tour's The Penitent Magdalen, created around 1640, is an oil-on-canvas painting depicting Mary Magdalene in a moment of profound introspection.
Georges de La Tour's The Penitent Magdalen, created around 1640, is an oil-on-canvas painting depicting Mary Magdalene in a moment of profound introspection. Also known as the Wrightsman Magdalen, this work is characterized by its powerful use of light and shadow, creating a deeply meditative atmosphere. Measuring 133.4 by 102.2 centimeters, it is a significant example of the French artist's distinctive style. The painting has been part of the Metropolitan Museum of Art's collection in New York since 1978.
Subject & Meaning
The painting portrays Mary Magdalene, a figure traditionally associated with Christ, who abandoned a secular existence for a life of spiritual reflection and atonement. She is shown in a contemplative posture, gazing at a human skull while a single candle illuminates her face. The skull and the flickering flame serve as reminders of life's transience.
Her discarded jewelry, visible in the foreground, symbolizes the vanity of earthly possessions and her renunciation of her past.
Technique & Style
La Tour employs a dramatic chiaroscuro effect, where the stark light from the candle intensely illuminates Mary Magdalene's face and upper body, casting the rest of the scene into deep shadow. This nocturnal setting, combined with the artist's simplified forms and geometric clarity, fosters a sense of quietude rather than the dynamic movement often found in Baroque art. The interplay of light and darkness underscores the painting's profound emotional and spiritual depth.
History & Provenance
This particular rendition of The Penitent Magdalen entered the collection of the Metropolitan Museum of Art in New York in 1978. It was a generous gift from Mr. and Mrs. Charles Wrightsman, prominent collectors whose name is sometimes appended to the work. The painting remains a notable piece within the museum's European art galleries, representing a key example of 17th-century French painting.
Context
Georges de La Tour frequently explored the theme of Mary Magdalene's penance, creating several variations of the subject throughout his career. These works consistently feature a solitary figure illuminated by candlelight, emphasizing introspection and spiritual transformation. The Penitent Magdalen at the Met stands as one of the most compelling examples of this recurring motif, showcasing the artist's consistent engagement with narratives of conversion and contemplation.
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Artist & collection
Artist
Georges de La Tour (French pronunciation:; 13 March 1593 – 30 January 1652) was a French Baroque painter, who spent most of his working life in the Duchy of Lorraine, which was temporarily absorbed into France between 1641 and 1648.
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