Who painted Maria mit dem Kinde und vier Engeln?

Maria mit dem Kinde und vier Engeln was painted by Girolamo del Pacchia in 1505.

Where can I see Maria mit dem Kinde und vier Engeln?

Maria mit dem Kinde und vier Engeln is held by Bavarian State Painting Collections.

What movement is Maria mit dem Kinde und vier Engeln?

Maria mit dem Kinde und vier Engeln is associated with Early Renaissance.

Artwork

Maria mit dem Kinde und vier Engeln

Girolamo del Pacchia , 1505

Maria mit dem Kinde und vier Engeln is an unspecified painting by the Early Renaissance artist Girolamo del Pacchia. It dates from 1505 and is held in the collection of the Bavarian State Painting Collections.

About this work

Overview

Created in 1505, this religious work by the Italian painter Girolamo del Pacchia depicts the Virgin Mary with the infant Christ, accompanied by two child figures and a pair of angels. The composition is housed in Munich’s Alte Pinakothek, where it remains a representative example of early‑sixteenth‑century devotional painting.

Subject & Meaning

At the centre, Mary cradles the newborn Jesus, her serene expression contrasting with the infant’s inquisitive gaze. Flanking them are two small children, perhaps symbolic of the faithful, while the angels, positioned on either side, underscore the sacred nature of the scene, reinforcing themes of divine intercession and maternal devotion.

Technique & Style

Del Pacchia employs a gentle modelling of forms, using smooth gradations of tone to separate the figures from a pale, blue‑toned backdrop. The Virgin’s blue robe and green cloak, together with the child’s red sash, provide a restrained yet vivid colour palette. Subtle illumination surrounds the group, creating a soft halo effect that enhances the spiritual atmosphere.

History & Provenance

The painting entered the collection of the Alte Pinakothek in the 19th century, where it has been displayed among other works of the Italian Renaissance. Its attribution to del Pacchia has been consistently affirmed by scholars, linking it to the artist’s early period and confirming its creation date around 1505.