Who painted The Burgomaster?

The Burgomaster was painted by Richard Houston in 1760.

Where can I see The Burgomaster?

The Burgomaster is held by National Gallery of Art.

What movement is The Burgomaster?

The Burgomaster is associated with Baroque.

Can I buy a print of The Burgomaster?

Museum-quality prints of The Burgomaster are available made-to-order from Artifact World Gallery.

Artwork

The Burgomaster

Richard Houston , 1760

The Burgomaster is an ink print by the Baroque artist Richard Houston. It dates from 1760 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:by later hand, lower left in graphite: R H; by later hand, lower center in graphite: JC 79/I; by later hand, lower right in graphite: R. Houston; by later hand, lower left verso in graphite: 17972 / 44; by later hand, lower center verso in graphite: Houston, Bürgermeister nach Rembrandt / from pic in coll. of John Barnard / A 39 CS 47 i/ii C 79 i/ii; by later hand, lower right in graphite: P43702; Coll: John Constable, R.A. / and P. von Boldinger-Seidenberg

About this work

Overview

Richard Houston’s mezzotint, dated around 1760, presents a formal portrait of a municipal leader, identified by the title as a burgomaster. Executed on laid paper, the image is rendered entirely in black and white, emphasizing the figure’s dignified bearing through careful composition and tonal contrast.

Subject & Meaning

The sitter appears in period attire: a broad-brimmed hat, a white ruffled collar, and a dark, buttoned coat. His hands rest on a ledge, and a small object, perhaps a glove or a tool, lies nearby, suggesting a status of authority and the practical responsibilities of civic office.

Technique & Style

Houston employed the mezzotint process, a method that allows for subtle gradations of tone. By manipulating the surface of a copper plate with a rocker and scraper, he achieved a rich chiaroscuro effect, making the face emerge from a deep, shadowed background and lending the portrait a dramatic, three‑dimensional quality typical of mid‑18th‑century printmaking.

History & Provenance

Created in the mid‑1700s, the print reflects the popularity of portrait mezzotints for disseminating images of local dignitaries. While specific ownership records are scarce, the work is attributed to Houston, a noted British engraver whose prints were widely circulated among collectors and municipal institutions of the period.