The Holy Family with Saint Elizabeth
1503
From the collection of Cleveland Museum of Art
1503
From the collection of Cleveland Museum of Art
Dominant colour
The Holy Family with Saint Elizabeth is a 1503 by Jacopo de' Barbari, a Renaissance work, held at Cleveland Museum of Art.
You see four holy figures in a strange, empty landscape: Mary, baby Jesus, Elizabeth, and young John the Baptist. The trees here aren’t just scenery. The dead ones stand for Elizabeth’s old age—she was past childbearing when God gave her a son. The fence around them is a symbol of virginity, a quiet nod to the miracle of their births. For more paintings like this, look up *sfumato*.
While this landscape might seem desolate and strange, it is rife with religious symbolism. The Virgin Mary and Christ on the right sit with Mary’s cousin, Saint Elizabeth, and her son, Saint John the Baptist. The Bible describes Elizabeth as past childbearing age; both she and Mary were granted virgin births by God. The barren trees, therefore, signify Elizabeth’s infertility, while the fencelike enclosure denotes the enclosed garden of virginity. The trees also remind viewers of Eve’s sin in the Garden of Eden. Jacopo de’ Barbari placed lively grapevines on the dying trees, a metaphor for…
Before scholars identified all the works of Jacopo de' Barbari by name, he was called "Master of the Caduceus" for the symbol of a Mercury's staff with which he often signed his prints, seen here at lower right.
Read the full account in the museum source.
Jacopo de' Barbari, sometimes known or referred to as de'Barbari, de Barberi, de Barbari, Barbaro, Barberino, Barbarigo or Barberigo (c.
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